Puzzles and games are constantly advancing and innovating, incorporating new technologies, new production techniques, and a lengthy legacy to build upon. In this blog alone, we’ve looked at 3-D printed puzzles, logic games that involve actual lasers, and puzzles that were brought to life thanks to internet crowdfunding; none of these were possible fifteen or twenty years ago.
But today’s game is something different. It’s a brand new game that feels like a classic from centuries past, a board game that feels timeless.
Today, we’re reviewing Tak by James Ernest and Patrick Rothfuss.
You may recognize Rothfuss’s name from his Kingkiller Chronicles novels, including The Wise Man’s Fear, where he first referenced the tavern game Tak. Now, game designer James Ernest has helped him bring the game to life.
Tak has a very simple concept: two players each attempt to build a road connecting opposite sides of the game board. The first player to successfully complete their road wins.
To do so, you place game pieces called stones, one at a time, on various spaces on the board. The stones can either be played flat (meaning they’re part of your road) or standing on edge (meaning they’re a wall, blocking any road’s passage through that space).
It’s an easily grasped mechanic that allows for a great deal of gameplay flexibility. Since flat stones can be stacked, you can seize control of part of a road by placing your flat stone atop your opponent’s. Then again, your opponent could play his capstone, flatten one of your walls, and instantly make it part of his road.
The game can be played on boards as small as 3×3 and as large as 8×8, allowing for greater difficulty and strategic opportunities. And considering that you can move stacks of pieces (as long as your flat stone tops the stack), that opens the field even more for tactical moves to grant you control of more road.
With so many moves and countermoves available to the player, no two games of Tak feel alike, and even the puzzliest player will no doubt find themselves surprised by a cunning opponent. (And the game encourages this, since your very first move will be to place one of your opponent’s pieces on the board. Each player does this before continuing forward using only their own pieces.)
This balanced system ensures that players stay engaged until the very last move, making for an elegant play experience that feels earned, win or lose.
The full title of the game is actually Tak: A Beautiful Game, and it’s hard to disagree. The simple, yet distinct game pieces grant an earthy, homegrown feel to the game, and the gorgeous art (both in the companion book and the Selas 3×3 game board, pictured above) only enhance the experience.
Rothfuss and Ernest have really outdone themselves with this one. Tak feels at home in the 21st century as it would in the 18th. That’s something both rare and special.
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