A Puzzly Nom de Plume?

[Image courtesy of Writers Write.]

There was an intriguing blog post on The Wall Street Journal‘s website a few days ago about their crossword editor, Mike Shenk.

For those who don’t know, Shenk is a well-respected name in the world of puzzles who has contributed puzzles to numerous outlets, including GAMES Magazine, The New York Times, the American Crossword Puzzle Tournament, and of course, The Wall Street Journal.

The blog post revealed that Shenk had published puzzles in the WSJ under pseudonyms in the past, but going forward, that would no longer be the case. In the spirit of transparency, any puzzles constructed by Shenk would appear under his real name.

Greater transparency in crossword publishing is definitely a good thing. If you recall, part of the issue with Timothy Parker’s tenure for the Universal Crossword involved other constructors’ puzzles being reprinted under Parker’s pseudonyms instead of the actual constructor’s name. Ben Tausig found one example, and further investigation turned up others.

From a FiveThirtyEight article discussing the story:

The puzzles in question repeated themes, answers, grids and clues from Times puzzles published years earlier. Hundreds more of the puzzles edited by Parker are nearly verbatim copies of previous puzzles that Parker also edited. Most of those have been republished under fake author names.

Obviously, no such accusations mar Shenk’s tenure at The Wall Street Journal. His reputation is pristine.

[Image courtesy of Politico.]

But it made me wonder. Last year, we discussed how many women were being published in various crossword outlets. From January 1st to April 29th of 2018, nine out of the 99 puzzles published by The Wall Street Journal were constructed by women. Were some of those actually Shenk under a pseudonym? (One of the noms de plume mentioned in the WSJ blog post was Alice Long.)

Naturally, this whole topic got me thinking about pseudonyms in general. In British crosswords, most constructors (or setters, as they’re called in the UK) publish under a pseudonym. Among loyal solvers, names like Araucaria, Qaos, Paul, Enigmatist, Shed, and Crucible are as familiar there as C.C. Burnikel, Jeff Chen, Brendan Emmett Quigley, or Patrick Berry would be here.

How common are pseudonyms in American-style crosswords, do you suppose? Has usage of aliases increased or decreased over the years? I might have to follow up on that in the future.

In the meantime, it’s intriguing to see one of the most respected crossword outlets in the market today, The Wall Street Journal, take a stand on visibility and transparency in puzzle publishing. Maybe it’s the start of something bigger.

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Cultural Sensitivity and Crosswords: The Sequel

It’s a new year, and many folks treat the new year as a clean slate, a jumping-off point from which to launch efforts at self-improvement. They embark on new endeavors, hoping to complete resolutions made in earnest.

Others use the first few days or weeks to try to set the tone for the rest of the year by establishing new routines or breaking from old routines.

Unfortunately, The New York Times crossword is not off to a good start.

We’ve discussed in the past how The NYT crossword has a less-than-stellar reputation for cultural sensitivity, and Tuesday’s puzzle was, for many solvers, more of the same.

Here’s the grid from January 1st:

[Image courtesy of XWordInfo.]

One of those entries, 2 Down, leapt out at many solvers. Yes, it was clued innocently as “Pitch to the head, informally.” But, for millions of people, that word has a far more unpleasant, insulting, and flat-out racist meaning.

It’s natural for people to want to explain this away as unintentional. That becomes harder to accept when it has happened before.

Will Shortz had the following to say in The New York Times Wordplay blog from 2012, after a similar incident involving the answer word ILLEGAL:

Thanks for your email regarding the clue for ILLEGAL (“One caught by border patrol”) in the Feb. 16 New York Times crossword.

At the time I wrote this clue (and yes, it was my clue), I had no idea that use of the word “illegal” in this sense (as a noun) was controversial. It’s in the dictionary. It’s in widespread use by ordinary people and publications. There is nothing inherently pejorative about it.

Still, language changes, and I understand how the use of “illegal” as a noun has taken on an offensive connotation. I don’t want to offend people in the crossword. So I don’t expect to do this again. Fortunately, there are many other ways to clue the word ILLEGAL.

At the end of the post, Deb Amlen stated:

Should Mr. Shortz have been more aware of the current usage of the word? Sure, but no one is infallible, and I will give him points for stepping up. He is the captain of the New York Times crossword ship, and he owned his mistake. Not only that, but he has assured us that it will not happen again.

That’s evolution.

Well, it’s happened again.

And this time, being unaware is not an excuse. In Shortz’s apology for this latest mistake, he mentions not only discovering the pejorative meaning of the word in his own research, but that the issue was raised by fellow constructor and XWordInfo archivist Jeff Chen.

In his own take on the puzzle on XWordInfo, Jeff was incredibly kind regarding Shortz, stating:

I generally think Will does a great job in editing the NYT puzzle — hard to argue with results, with solvership exploding into the hundreds of thousands under his helm. This is one of the less than 5% of things that I strongly disagree with, though.

(Jeff then offers two easy fixes to remove the word from the puzzle, because Jeff is a pro.)

Again, unfortunately, we don’t know if this will lead to any changes at The New York Times. Shortz stated:

My feeling, rightly or wrongly, is that any benign meaning of a word is fair game for a crossword. This is an issue that comes up occasionally with entries like GO O.K. (which we clued last April as “Proceed all right,” but which as a solid word is a slur), CHINK (benign in the sense as a chink in one’s armor), etc. These are legitimate words.

That’s certainly one way to look at it. Of course, it’s not great that one of his examples was employed as part of a misunderstanding in an episode of Scrubs fifteen years ago to similarly unpleasant effect:

Shortz followed up by saying, “Perhaps I need to rethink this opinion, if enough solvers are bothered.”

In response, I think constructor Eric Berlin summed up the issue perfectly:

Perhaps a good rule for this sort of thing is, if you were looking *only at the completed crossword grid* and not at the clues, what would CHINK or GOOK call to mind first?

That’s what I thought, and that’s why I would never dream of using either word in a puzzle.

At least it’s still early in the year. Plenty of time to go onward and upward from here.

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Delving into the Lollapuzzoola 11 puzzles!

The eleventh edition of Lollapuzzoola arrived, as expected, on a Saturday in August, and it did not disappoint. The largest annual crossword tournament in New York (and the second largest in the world) has become not only one of the highlights of the puzzle calendar, but an institution at this point.

I was not in attendance, but I did sign up for the Solve At Home puzzles. Last weekend, I finally had a chance to sit down and try my hands at this year’s tournament puzzles, and I was not disappointed. Lollapuzzoola continues to push the envelope with inventive themes and unique spins on how to bring crosswords to life. (Although there was nothing as raucous as last year’s De-cat-hlon puzzle that had participants meowing aloud.)

This year’s theme was “Back to School,” so every puzzle had something academic or el-hi about it, and the constructors were clearly inspired in all sorts of ways. Let’s take a look at what they came up with.

Warm-Up: Twinlets by Brian Cimmet

This puzzle felt more like hitting the ground running than warming up, but it definitely got the creative juices flowing. The solver is presented with two identical grids and two sets of clues, and you have to figure out which grid each answer applies to.

This was complicated by the fact that several of the clues were the same for multiple entries. For example, the clue to 1 Across for both grids was “One party in an after-school one-on-one encounter.” The grids themselves also made for a tough solve, since there were several sections only connected by a single word, so you had fewer ins to tell you which answer applied.

Overall, this was a tough but fair way to open up the tournament.

Interesting grid entries included US OPEN, GLAIVE, STEVIA, and CAN IT BE, and my favorite clue was “Fit to finish?” for ATEE.

Puzzle 1: Back to School by Aimee Lucido

The competition puzzles kicked off with this gem — my first Aimee Lucido puzzle, if I recall correctly — a terrific variation on a 17×17 grid with a clever hook. The themed entries had 4-letter colleges hidden backwards inside them (inside shaded boxes), and those colleges reappeared elsewhere in the grid, this time reading the correct way.

With four themed entries and four repeated colleges in a tight space, you could’ve easily had some tough crossings and awkward fill, but instead, the solve was smooth and the grid construction tight. A really great starting puzzle overall.

Interesting grid entries included COSTCO, TAOIST, MALAWI, and AGITATOR, and my favorite clues were “Mac alternative?” for BUB, “Movies, and some comics, but *definitely* not video games, according to some” for CANON, and “Axle attachments that always make me think of the world record holder for the 100-meter dash” for U-BOLTS.

Puzzle 2: Going Off by Erik Agard and Yacob Yonas

The difficulty increased with Puzzle 2, as Yacob Yonas and ACPT champion and speed-demon Erik Agard tested solvers with this diabolical entry. This puzzle’s hook was a familiar phrase where the final letter was replaced by the word “ring” — for instance, LUNCH BUFFET became LUNCH BUFFERING — and this hook was revealed in the final themed entry, SAVED BY THE BELL.

You see, each of those missing letters was “saved,” spelling out the word TEST. Truly a time in school when you’d hope to be saved by the bell. It’s a clever hook, but one that wasn’t easily parsed, at first.

Interesting grid entries included SHINNYING, FEE WAIVER, LIE ABED, and YOU UP?, and my favorite clues were “Sewer’s terminus?” for HEM and “Wood-chopping site” for DOJO, which is on the shortlist for my favorite clue of the year.

Puzzle 3: Subject to Change by Patti Varol

A nice palate cleanser after Puzzle 2, Puzzle 3 featured three pairs of themed entries where common expressions and phrases that ended in school subjects had those subjects swapped. So, for instance, YOU DO THE MATH and MARTIAL ART became YOU DO THE ART and MARTIAL MATH.

This was a really fun solve, and the hook was both challenging but very intuitive. The themed entries were complemented by great fill and a lot of fun, accessible cluing. This easily could’ve slotted in as the first puzzle, but served as an excellent midpoint for the regular tournament puzzles.

Interesting grid entries included TERMINATOR, I DON’T GET IT, GIANNI, and ALL IN ALL, and my favorite clues were “Two out of nine, literally” for ENS and “Result of hitting a certain bar” for SPACE. (Also, points for a quality Simpsons reference with “KWYJIBO” in one of the themed entry clues.)

Puzzle 4: Roll Call by Jeff Chen

This hook took me longer to get than it should’ve — which was the story of my Lollapuzzoola solving experience this year — as parts of an actor’s name were literally inserted into other entries. But the clues only reflected the word without the insert, which added to the challenge. For instance, CONSUMES became CONSUMMATES with MAT inside, but it was clued “Depletes,” so it was up to you to figure out the longer entry.

And which actor was hiding within the themed entries? Well, quite appropriately, it was MAT/THEW/BRO/DER/ICK, who famously played lovable truant Ferris Bueller. Well played, Mr. Chen.

Interesting grid entries included RYDELL (referencing another famous school from a film), SAMOSA, LIP RINGS, and BEER STEIN, and my favorite clues were “Caesarian section?” for VIDI and the pair of “Org. concerned with millions of screens” for TSA and “Organizations concerned with millions of screens?” for TV NETWORKS.

Puzzle 5: Watch Your Tone! by Paolo Pasco

The regular tournament puzzles wrapped up with this 21×21 puzzle, which expanded on the trading-words hook we saw in Puzzle 3. But instead of school subjects, we were treated to the entire musical scale, as seven themed entries shifted letters. For instance, instead of DOCK OF THE BAY (which started with DO, the first note), we had TICK OF THE BAY (featuring TI, the second note).

That DO was swapped down to the next entry, where REMAINS TO BE SEEN became DOMAINS TO BE SEEN, and RE was the note sent down to the next entry. This formed a complete chain by the seventh themed entry, with the eighth themed entry serving as the revealer explaining what was going on in this class: PASSING NOTES.

The trade-off for this fun and ambitious theme was some pretty tough fill entries to make the grid work, but those difficult entries were mitigated somewhat by very solid cluing, making for a challenging, but ultimately fair puzzle.

Interesting grid entries included CD CASES, A JIFF, ELASTICITY, and AERO MEXICO, and my favorite clues were “’Look at that puppy!’” for AWW, “Crossword making, for one” for ART, and “’____, ____, Nanette’ (possible Russian remake of the ‘Tea for Two’ musical” for NYET.

Puzzle 6: Finals by Mike Nothnagel and Doug Peterson

As always, there were two sets of clues for the Finals puzzle, the Local and the more difficult Express clues. No matter which clues you were working with, you were in for a terrific tournament finale.

With two 15-letter entries crossing in the middle to build around, Mike and Doug delivered a tight grid with some terrific filler entries. As for the cluing, it felt like a summation of high school classes, with references to math, foreign languages, Greek mythology, and American history.

(That clue in particular shined in both versions of the puzzle. In the Local Finals, it read “American ship sunk in Havana Harbor… don’t you remember?” and in the Express, it was “Ship in 1898 headlines.” The answer? USS MAINE.)

This was a final puzzle worthy of a tournament built around clever hooks, top-notch construction, and delightful cluing, and it delivered in spades.

Interesting grid entries included HAVE A SNACK, EPIC FAIL, RENAULTS, and MEDEA, and my favorite clues were “Event at which you might stand for a spell?” for BEE and “Ikea’s AROD and KLABB, e.g.” for LAMPS.

There was also a tiebreaker puzzle which kept me guessing for a long while, especially with clues like “Mother’s father’s daughter’s son’s daughter” for NIECE and “’I have to write ____ on my blog tonight, mostly to complain about this atrocious partial in the Lollapuzzoola tiebreaker'” for A POST.

The puzzles at Lollapuzzoola always impress, and this year was no exception. The grids were tight, there was very little crosswordese, and the creative themes and puzzle mechanics — from swapping classes and passing notes to replacing missing letters with “rings” — ensured that not only would fun be had by all, but that the unique puzzles would linger in your memory.

Mission accomplished, and congratulations on the competitors and the organizers who made it all happen. Lollapuzzoola is only getting more creative, more groundbreaking, and more clever with each passing year.

I can’t wait to see what they come up with next year!

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Lollapuzzoola 11 This Weekend!

This Saturday, August 18, marks the eleventh edition of the Lollapuzzoola crossword puzzle tournament!

For the uninitiated, Lollapuzzoola is an independent crossword tournament run by Brian Cimmet and Patrick Blindauer, featuring puzzles constructed with a more freewheeling style than the traditional American Crossword Puzzle Tournament. As they say, it’s “the best tournament held in New York on a Saturday in August.”

The format is similar to BosWords. Competitors are placed in one of four divisions: Express (solvers with tournament experience), Local (other solvers), Rookies, and Pairs.

With seven tournament puzzles — designed with inimitable style, both fun and befuddling in how often they innovate classic crossword tropes — you’re guaranteed to get your money’s worth as you solve.

And for those who reach the top of mountain, “winners in each division are awarded prizes, which could range from a box of used pencils to a brand new car. So far, no one has ever won a car.

Registration is still open if you want to attend in person!

But if you can’t, the At-Home Division is open for any and all solvers to enjoy. For $15, you’ll receive the tournament puzzles the next day for your enjoyment (or frustration, depending on the difficulty).

It should be a great time, either in person or for solvers at home. Lollapuzzoola is one of the highlights of the puzzle calendar.

Are you planning on attending Lollapuzzoola or solving from home? Let me know! I’d love to hear from you!

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The New York Times Crossword, Accordion to Weird Al

 In February of 2017, The New York Times celebrated a landmark in the history of puzzles: the 75th anniversary of the NYT crossword.

And ever since, to commemorate that puzzly milestone, top constructors and Times favorites have been pairing up with celebrity fans and puzzle enthusiasts to co-construct puzzles for the Times!

This year, you might’ve encountered some of these collaborations, like news pundit Rachel Maddow’s March 2nd puzzle with constructor Joe DiPietro, or “How I Met Your Mother” star Josh Radner’s meditation-themed puzzler from January 31st with constructor Jeff Chen.

Over the last year, names as diverse as John Lithgow, Elayne Boosler, Joy Behar, Mike Selinker, Lisa Loeb, Neil deGrasse Tyson, and Bill Clinton have contributed their puzzly efforts to this marvelous project.

And yesterday, another famous wordsmith and master of punnery made his New York Times debut.

[Image courtesy of Instagram.]

Yes, the immortal “Weird Al” Yankovic teamed up with Puzzle Your Kids mastermind and friend of the blog Eric Berlin for a cheese-themed Wednesday outing that delighted fans and solvers alike.

Al has certainly been keeping busy lately, launching his Ridiculously Self-Indulgent, Ill-Advised Vanity Tour — his words, not mine; I loved the show I attended! — and working with Lin-Manuel Miranda to create The Hamilton Polka, an ambitious and hilarious take on the wildly successful musical.

The puzzle was Eric’s 40th Times puzzle, and Al’s first. Not only did the puzzle feature those signature cinematic cheese puns — like A FEW GOUDA MEN and THE PELICAN BRIE — but there was plenty of nerd culture featured in the fill and cluing.

Tom Lehrer and John Cleese were both name-dropped, as well as Legolas, Wile E. Coyote, WALL-E, Mr. Clean, and Bones from the original Star Trek.

Eric offered some insight into the puzzle’s creation while discussing the puzzle with Wordplay’s Deb Amlen:

My very first attempt at the grid included one of my favorites from his list, QUESOBLANCA. I was under the misapprehension that queso is not just the Spanish word for cheese but also a specific kind of cheese. Whoops, not quite. (This was entirely on me, I should note — Al, not knowing during his brainstorming that the end result would be restricted to specific cheeses, had several cheese-adjacent puns in his list, including FONDUE THE RIGHT THING and CHEESY RIDER.)

And appropriately enough, Al had a bit of fun promoting the puzzle on his Instagram, claiming, “If you’re REALLY good, you don’t NEED the clues!”

For the record, I needed the clues.

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My Favorite Crosswords from 2017!

One of my New Year’s Resolutions last year was to solve more crosswords.

I wanted to sample as many outlets as possible, really immersing myself in the tricks and techniques that constructors use to create really topnotch puzzles. And I definitely solved more crosswords from more publishers than ever before.

And any time a puzzle really impressed me, or made me laugh out loud, or presented an enjoyable challenge that lingered in my mind after the solve, I put it aside in a little folder.

So now, I’d like to give those puzzles and their constructors a little love as I share my favorite crossword puzzles from 2017.

My collection started early in the year when David Steinberg celebrated the 125th anniversary of Stanford with a crossword that not only wished the university “happy birthday” in circled letters in the grid, but spelled out the number “125” when you connected the circles!

Peter Gordon marked 7/7/17 on the calendar with Fireball Newsflash Crosswords #7, and went all in on the 7s, placing three entries in the puzzle that were clued as “capital of a seven-letter country/state.”

Patrick Blindauer’s “End of the Summer” puzzle from the first edition of Piece of Cake Crosswords celebrated Labor Day with shaded entries that clued multiple down entries, depending on whether you filled the shaded space with LAB or DAY. So, for instance, you could have LAMP and BEAR or DAMP and YEAR reading down for their particular clues.

[Image courtesy of TV Tropes.]

For brazen acts of punnery, it’s hard to top Patrick Blindauer’s “For Fudd’s Sake” Piece of Cake Crosswords puzzle. Theme entries like WOOKIE MISTAKE definitely had me laughing. Then throw in clues like “Instrument that becomes a dessert if you change its first letter to a J” for CELLO and “What my fiancee said to me on September 16, 2011” for I DO, and you’ve got a great solve.

Then again, there was COOLIO JETS in Brendan Emmett Quigley’s “No Big Pun Intended” crossword from March 30th, MOSTLY ARMLESS from Patrick Blindauer’s “True ‘Liza” Piece of Cake Crosswords puzzle, and entries like PIGNORAMUS, LAMBITION, and SQUIDDITCH from Patti Varol and Dave Cuzzolina’s June 30th LA Times puzzle.

And how could you resist the wordplay in Quigley’s “Next Level Shit” puzzle from November 2nd? Entries like LAKE TITICACA and SKYSCRAPER AD were purposely broken up onto ascending rows, so that CACA and CRAP(ERAD) read out on the “next level.” It was shameless and very inventive all at the same time.

[Image courtesy of Scientix Blog.]

Nobody keeps it current like Peter Gordon with his Fireball Newsflash Crosswords, and #20 from March 3rd had a lot of fun with the snafu at the Oscars, first giving us “Winner of the Oscar for Best Picture at the recent Academy Awards” as a clue for LALALAND and then correcting itself later with “There’s been a mistake! Actual winner of the Oscar for Best Picture at the recent Academy Awards” for MIDNIGHT. Beautiful trolling there.

He did something similar in the “Themeless 107” Fireball Crosswords puzzle that had HARRY ANGSTROM as an entry, and then referenced it in another clue — “Film character whose last name is roughly 95 septillion times longer than 23-Across’s?” — for BUZZ LIGHTYEAR. The science/math nerd in me popped for that one.

I’m a sucker for ladder puzzles, so when Mary Lou Guizzo and Jeff Chen snuck one into their May 5th puzzle in The Chronicle of Higher EducationAPE, APT, OPT, OAT, MAT, MAN — and an evolutionary one at that, I very much enjoyed it. The cluing only added to the fun, with clues like “Member of a Latin lover’s trio?” for AMAT and “Kiddie or chick follower” for LIT.

The Chronicle of Higher Education struck gold again on April 21st with Ed Sessa’s puzzle “That Boxed-In Feeling.” Not only did the puzzle feature several confined spaces like MRI MACHINE and PHONE BOOTH as theme entries, but CLAUSTROPHOBIA was jammed into the center of the puzzle — two letters per square — to really bring the theme home. Really nice, tight gridwork there.

(For the trifecta, I also enjoyed George Barany and Michael Hanko’s July 21st puzzle in The Chronicle, “Side Order,” which used BERMUDA TRIANGLE, TIMES SQUARE, and THE PENTAGON to complete a themed GEOMETRIC SERIES.)

Another puzzle with a lot of interplay between cluing and theme answers was Jacob Stulberg’s “Two Descents’ Worth” Fireball Crosswords puzzle. This one had entries like DRESSING, STRIPPED, and UPSIDE, which were referenced in clues for CENSURE, BASIC, and FLIPPED.

You see, the theme here was DOUBLE DOWN, so a double DRESSING down would be CENSURE, something doubly STRIPPED down would be BASIC, and being doubly UPSIDE down would be FLIPPED. I confess, it took me a while to parse out the relationships between these entries, but once I did, I was very impressed with the imagination and constructing skills necessary to make the puzzle.

[Um, no, not THAT Double Down. Image courtesy of YouTube.]

There were also some grids that really played with word placement and omission in super-clever ways.

Tracy Bennett’s “To Everything There is a Season” puzzle from the Indie 500 tournament offered a grid with four-way symmetry built around the four seasons, which all appeared within the grid. Having the clues set at 90-degree angles to coincide with word placement in the grid was a nice touch.

Timothy Polin’s “A Prynne String,” the January 13th puzzle for The Chronicle of Higher Education, had four As in the grid that “concealed” the letters RED both across and down, so LEERED AT and HUNDRED ACRE WOOD became LEEAT and HUNDACREWOOD. It took me a while to figure out the game here, and when I did, I was really impressed with the grid construction and creativity.

[Image courtesy of The Odyssey Online.]

Ed Sessa makes his second appearance on the list with a March 24th Los Angeles Times puzzle that played nicely with a classic idiom — Leave no stone unturned — by hiding stones within the other theme entries. For instance, AGATE read out backwards in TILL WE MEET AGAIN. He let us in on this clever hook with the revealer NO ENOTS UNTURNED. Nicely done.

(Brendan Emmett Quigley did something similar with his “Halfbacks” puzzle from June 8th, with entries like HIGH GERARD, RADIO SIDNEY, and ALFRED PANTS, as did Erik Agard with the “Bottoms Up” puzzle from the Indie 500 Meta puzzle pack, sneaking drinks like OJ and DECAF into the down-reading entries JO WALTON and FACED THE TRUTH.)

Quigley took it a step further with his April 6th puzzle “Catch You on the Rebound,” as the themed entries required you to fill in the boxes one letter at a time, then place the rest of the letters backwards on the same line, forcing two letters to share squares. For instance, THE POINT OF NO RETURN spelled out THEPOI(NN)(TR)(OU)(FT)(NE)(OR), with RETURN reading backwards in the boxes.

Alex Eaton-Salners did a tough variation on this idea in Peter Gordon’s Fireball Crosswords with “Kicking Off the Fourth,” as his theme entries started backwards and then doubled back on themselves. For instance, POTATOPEELER was written as ATOPEELER, with the POT reading backwards, “kicking off the fourth” letter with the A, then reading forward with the rest of the entry. NRUBBER for BURNRUBBER, EDISHES for SIDEDISHES, and AVAVOOM for VAVAVAVOOM were just some of the NINE entries that fit the pattern. A top 5 puzzle of the year for me, easily.

[Image courtesy of Shutterstock.]

And I have to close out today’s post by mentioning Alex again for his “Read the Fine Print” Fireball Crosswords puzzle. This one actually used some of the numbers within the grid as part of the entries. Box 1 was filled with a 1 for 1 CUP and 1 PIN, Box 50 helped form 50 FIRST DATES and 50 CENT, and so on. I’ve never seen the actual cluing numbers incorporated into the answers like that before. Really terrific stuff.

There were so many great, creative, well-constructed puzzles that a post like this just scratches the surface. (Especially since I’m behind on my solving for The Crosswords Club and a few other outlets!)

I’m sure I missed plenty of worthy puzzles from constructors all over. Feel free to let me know your favorites in the comments section below! (And come back tomorrow to learn some of the favorites from others in the puzzle community!)

I’m continually amazed by the innovation, reinvention, and endless possibilities clever constructors can mine from these curious collections of white and black squares.

I can’t wait to see what they have in store for us in 2018.

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