Max reviews the Boston Festival of Indie Games!

Hello Puzzlers and PuzzleNationers! Today we’ve got a special treat for you! The intrepid Max Galpern, 12-year-old game enthusiast and son of our Director of Digital Games Fred Galpern, will be taking over PuzzleNation Blog for the day!

[Max, trying out a new virtual reality game at Boston FIG.]

You may remember Max from his cameo appearance in our Laser Maze product review or his work in our first video review for Star Realms (alongside his dad).

I’m happy to hand over the reins to Max as he gives us the lowdown on the Boston Festival of Indie Games.

[Glenn’s note: the photo comments are my only contributions.]

Take it away, Max!


I went to the Boston Festival of Indie Games (FIG) on September 12 in 2015. This festival has been going on for many years now. It used to only show digital games and this year is the first year they’re introducing tabletop games.

[A brief glimpse of Boston FIG.]

First, I went into the tabletop showcase, and when I walked in I saw a big poster for EPIC, the card game. I’ve played EPIC before. Earlier this year, my dad backed the Kickstarter campaign, so we already have the game and really like it. I walked right over to the EPIC booth and played a game with my dad right away. I crushed him in the game we played!

[A sample of some of the stunning art featured in EPIC.]

EPIC is a card game that consists of 120 cards that are all different, and among them are 4 colors/factions: Red (evil), Green (wild), Yellow (good), and Blue (sage). If you know how to play Magic:The Gathering (MTG) you may pick this game up as easily as I did. It has many of the same abilities as MTG but worded differently. EPIC is a really fun game, and I totally recommend it.

After EPIC, I walked around and saw this game called PBL Robots.

[Here’s an illustration of a sample attack in PBL Robots.]

My dad and I walked past it and it looked pretty cool, so I wanted to check it out when we circled back. We walked around for awhile and then sat down to learn about PBL Robots. When the creators were explaining the rules, I realized I had thought of a game like this one many years ago.

You start with a base robot and a pilot. Then you play cards that may be an arm, a pair of legs, shoulders, an action, a hangar, crew members, or a better pilot. When you’re ready to attack, you roll dice according to the part you are attacking with and/or the part you are attacking. It was amazingly fun to play, and I hope to play it again.

After that I went to the video game section, where I tried a game called Space Jammers. It was pretty fun, and if you have a Windows computer you can play it at igs.io/spacejammers.

Next, I played a video game called Sylvio.

[Max, matching wits with Sylvio on a PC. Now THAT is focus…]

It’s a survival horror game where you take the role of a girl who records ghosts with a microphone. The sound in the game makes it even more creepy. It is a very fun game. If you like games like Slender you may like this too.

Last but not least, I played a game called Loose Nozzles by my Dad’s friend Chris Foster and his son Ian. It’s a fun game for iPad where you fly a rocket ship to save the stranded people below. I recommend this game for children of all ages to play.

[Ian welcomes you to give Loose Nozzles a try!]

This year’s Boston FIG was a blast, and I can’t wait for next year to revisit things I saw this year AND see new stuff.

P.S. My Dad bought a card game called Poop (it’s like Uno, but more gross). I accidentally left it at the festival but two awesome people who work there found it and are sending it to us. Thanks, Caroline & Shari!


Thanks for the terrific rundown, Max! We’ll have to have you back again soon.

For more info on the Boston Festival of Indie Games, click here! And if you’d like Max to take over more often, let us know in the comments below!

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5 Questions with James Ernest of Cheapass Games

Welcome to another edition of PuzzleNation Blog’s interview feature, 5 Questions!

We’re reaching out to puzzle constructors, video game writers and designers, writers, filmmakers, and puzzle enthusiasts from all walks of life, talking to people who make puzzles and people who enjoy them in the hopes of exploring the puzzle community as a whole.

And I’m overjoyed to have James Ernest as our latest 5 Questions interviewee!

James Ernest represents Cheapass Games, a company with a brilliantly simple rationale: they know you have board games at home, so why jack up the price of their games by making you buy more dice, chips, or tokens? Their games contain exactly what you need to play the game, and describe precisely what you’ll need to scrounge up from other games in order to play.

As president and game designer, James is instrumental not only in maintaining the Cheapass Games legacy of great games for a fair price, but he’s also adept at utilizing Kickstarter campaigns and social media to communicate directly with the devoted board game and card game audience. In doing so, he’s helped introduce numerous hilarious and innovative games to the market, including:

  • Unexploded Cow: a card game where you try to rid the world of mad cows and unexploded ordnance.
  • U.S. Patent Number One: a game where you and your opponents build time machines and race back in time to register for the very first patent. [Glenn’s note: Currently out of print, but one of my all-time favorite board games.]
  • Veritas: a Risk-like strategy game where you try to become the predominant Truth in Dark Ages France while monasteries burn down around you. (Check out our full product review here!)

James was gracious enough to take some time out to talk to us, so without further ado, let’s get to the interview!

5 Questions for James Ernest

1.) For nearly two decades now, the Cheapass Games brand has been synonymous with affordable games with tongue-in-cheek humor and high replay value. How do you know when a game is right for your brand? What role do you play in bringing these games to market?

I’m the designer as well as the publisher for Cheapass Games, so I play nearly all the roles. I try to create products that fit into that format. When I make something that doesn’t fit the format, I often look for other ways to bring it to market, such as finding another publisher, or using a separate imprint under Cheapass Games.

For a while I used “James Ernest Games” as an imprint for my higher-priced games, though I currently release everything as Cheapass. I also used the “Hip Pocket” brand for smaller, more abstract games, and that one will be coming back next year.

2.) Many of the games in your library rely on a combination of strategy and step-by-step chain thinking, both skills most puzzle enthusiasts have in spades. Are you a puzzle fan? And what about that style of gameplay appeals to you?

The challenge in creating a strategy game is to make a puzzle with variety, so it can be replayed without getting dull. Part of that variety comes from rules that can give rise to meaningfully different game paths, and part of it comes from the interaction of players with different strategies.

As you’ve mentioned, I also like games to have stories, and that works in a similar way: the story has to be open-ended enough that it can proceed differently each time. The game is more like an environment where the players tell their own stories, rather than a way to tell a linear story. This is obvious for RPGs [roleplaying games] but I think it’s true for other games as well.

3.) You’ve created games of your own as well as helping others bring their games to life. What puzzles and board games, either in gameplay or in the experience of producing them for sale, have most influenced you?

I learned a lot about game construction from playing and working on Magic: the Gathering. A lot of my games have decks of different card types, balanced to produce the right mix of hands, based on my experience doing deck construction in Magic.

I also draw a lot of my approach to games from Pitch, which is a cutthroat trick-taking game. In a nutshell, you can choose different strategies in that game, either to play conservatively and win slowly, or to take risks and have the potential to win quickly or move backwards. Neither of those strategies is dominant and that makes the game good. Of course I also play a lot of poker, which contains similar choices.

4.) What’s next for James Ernest?

My next project is Pairs, a “New Classic Pub Game,” which I will be Kickstarting in February. After that, I have a couple of older Cheapass Games that I want to bring back into print. And I’m working on a new tabletop miniatures game called Cagway Bay, which is pirate-themed and diceless. I have a number of new game projects as well, but right now I’m not announcing any of them because I can’t be sure when they will be ready.

5.) If you could give the readers, writers, aspiring game designers, and puzzle fans in the audience one piece of advice, what would it be?

If you want to create things, there is no substitute for practice. Don’t just read about games; don’t just play them. You have to make a lot of games.

Many thanks to James for his time. You can check out the latest news from Cheapass Games on their website — including their upcoming Kickstarter campaign for the game Pairs! — or follow James on Twitter (@cheapassjames). I cannot wait to see what he and the great folks at Cheapass Games come up with next.

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