Puzzly Tombstones for October 1st!

[Image courtesy of How To With Kristin.]

It’s October 1st, and for many folks, it’s the official start of the spookiest of seasons, aka the lead-up to Halloween.

One of the things I really enjoy about the weeks before Halloween is seeing the decorations go up, and wondering just how elaborate they’re going to get. One house near me does a big fake spider web every year that’s made out of rope and dominates half of their yard!

But it’s the little fake tombstones that get me. It’s a simple thing, but I quite enjoy how people always put something interesting on them. Sometimes it’s funny inside jokes, or silly punny names like Bart Simpson would use to prank Moe the bartender on The Simpsons.

And it occurs to me that we as puzzlers could get in on this. Puzzly tombstone decorations! Why not?

Here are a few real-world examples to spark some ideas for you.

This gorgeous design adorns the gravestone of Michael and Elisabeth Ayrton. He was a painter and sculptor, and she was a writer.

It’s simple, but quite lovely.

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If you wanted, you could recreate this puzzly tribute that took passersby a century to finally unravel.

In a similar vein, this tombstone hides a simple message in thousands of different ways, if you know where to get started.

You could hide a coded message on them, like James Leeson did with his own tombstone in the Trinity Churchyard in Manhattan.

You could even offer a riddle or puzzly epitaph for people to solve, like this one found on the gravestone of Henry Rogers in Christchurch Priory in Dorset.

So what do you think, fellow PuzzleNationers? Will you be decorating with any puzzle-inspired tombstones? Or maybe you have something else that’s puzzle-inspired in store for Halloween.

Let us know in the comments section below! We’d love to hear from you.


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Spies, Crosswords, and Secret Messages!

secret message

There are loads of ways to hide secret messages in puzzles. The field of cryptography is built around it. Many meta puzzles have a special secret lurking inside their clever constructions. Heck, our friends at Penny Press even have an entire word seek called Secret Message.

But have you ever noticed that there’s a strange fascination in pop culture with secret messages in crosswords?

No, I don’t mean constructors hiding quotations, poems, or word seeks in their crosswords, though those are impressive feats of cruciverbalism.

I’m talking about stories about actual secret messages concealed in crossword grids, meant to be hidden from even the most diligent solvers, only a special few possessing the keys to finding the hidden words.

Oh, believe me, it’s definitely a thing.

Look no further than the first Crossword Mysteries movie. The film opens with a murdered art gallery owner with a crossword in his pocket. And it turns out that a devilish criminal mastermind was submitting puzzles to Tess’s daily crossword that contained hidden instructions for robberies to be conducted that day. Diabolical!

You might laugh, but this is hardly the only time we’ve seen crime, secret messages, and crosswords combined. It was a plotline in the radio show The Adventures of Superman, and Lois Lane’s life once depended on Superman’s ability to solve a crossword puzzle.

There are any number of mystery novels, cozy and otherwise, that contain hidden messages in crosswords. Nero Blanc’s Anatomy of a Crossword and Corpus de Crossword come to mind, as do any number of murder mysteries where a strange message scribbled on a crossword grid turn out to be a pivotal clue to catch the killer.

And there’s an even more curious subset of this in pop culture: crosswords and spycraft.

I could give you a simple example, like Bernie Mac’s character in the Ocean’s 11 remake pretending to solve a crossword, but actually writing down key information about the casino for the upcoming heist.

But that’s not really a secret message IN a crossword. No, it’s more of a secret message ON a crossword, though it is a bit of decent spycraft.

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[From Spy vs. Guy.]

Let’s talk about spies and their crosswords, then.

In the TV show Burn Notice, former (and occasionally current) spy Michael Weston sometimes received hidden messages from his previous spy organization through the crossword, though we’re not given much info on how this is achieved.

In the James Bond prequel novel Double or Die, it’s actually the young Bond’s teacher who sneaks a secret message into a puzzle. He’s also a cryptic crossword editor, and he convinces his kidnappers to allow him to submit a crossword to the newspaper, because if he didn’t, it would let people know all was not well.

Naturally, the kidnappers didn’t spot the clues to his current location that the teacher had hidden in the puzzle. Bond, even in his youth, manages to do so with ease.

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In the short-lived TV show Rubicon, crosswords are at the center of a fascinating unsolved mystery. An intelligence agent named Will finds out his mentor committed suicide after seeing a four-leaf clover.

He then finds a pattern across several crosswords that leads him to believe his mentor’s death is somehow connected to the pattern in the crosswords, and he tells his superior about it.

And soon after investigating it himself, Will’s superior is also found dead. Unfortunately, we never get a resolution for this story, but it certainly fits the bill.

So yes, the curious connection between secret messages and crosswords in pop culture is definitely a thing.

But did you know it also extends beyond fiction? Yup, I’ve got some real-world examples for you too.

Back in June of 1944, physics teacher and crossword constructor Leonard Dawe was questioned by authorities after several words coinciding with D-Day invasion plans appeared in London’s Daily Telegraph.

The words Omaha (codename for one of Normandy’s beaches), Utah (another Normandy beach codename), Overlord (the name for the plan to land at Normandy on June 6th), mulberry (nickname for a portable harbor built for D-Day), and Neptune (name for the naval portion of the invasion) all appeared in Daily Telegraph crosswords during the month preceding the D-Day landing.

So it was possible (though highly improbable) that Dawe was purposely trying to inform the enemy of Allied plans, and the powers that be acted accordingly. In the end, no definitive link could be found, and consensus is that Dawe either overheard these words himself or was told them by his students — possibly slipped by soldiers stationed nearby — and placed them into his grids unwittingly.

Yes, this was just a big misunderstanding. But sometimes, accusations like this have real-world consequences.

In Venezuela, a newspaper has been accused multiple times of hiding encrypted messages within their daily crossword puzzles in order to incite revolt against the government.

Another Venezuelan newspaper was accused of concealing messages ordering the assassination of a public official named Adan, the brother of President Hugo Chavez!

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Some of the answers considered suspicious in the grid included “Adan,” “asesinen” (meaning “kill”), and “rafaga” (which can mean either a burst of gunfire, or a gust of wind).

Apparently this confluence was considered enough to warrant a half-dozen members of the intelligence service visiting the newspaper’s editorial office.

Now, were these cases of genuine secret messages being passed through the crossword, or were these coincidental events that appeared credible because the crossword/secret message concept has been part of pop culture for decades?

I leave that question to you, fellow puzzlers.

Can you think of any examples of crosswords with secret messages in pop culture or intersections of crosswords and spycraft that weren’t mentioned here? Let us know in the comments section below! We’d love to hear from you.


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Musical Cryptography: Hiding Messages in the Music!

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In previous posts, we’ve explored many ways that messages can be encrypted or hidden. We’ve talked about legendary encryption methods like Caesar ciphers and Vigenere ciphers, as well as simpler auditory ones like Morse code and tap codes. We’ve seen encryptions through blinking lights, woven through crossword grids, and even knitted into scarves.

But did you know that composers can encode messages in their music, and have done so for centuries?

No, we’re not talking about subliminal messaging or tales of backwards messages hidden in metal songs. We’re talking about musical cryptography, and it turns out there’s not just music between the notes, but messages among them as well.

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Now, to be fair, there is no evidence that musical encryption has ever been used for spycraft. (Sorry, Outlander fans.) Most of the time, composers simply entertained themselves by hiding the letters of their name or the names of others into compositions just because they could.

This sort of musical wordplay appears in compositions by Ravel, Debussy, and Shostakovich among others. Johann Sebastian Bach did this often enough that the succession of notes B-A-C-H is now called a Bach motif.

According to Western Michigan University Music Professor David Loberg Code:

Sometimes a musical version of a name is a subtle reference in the piece of music… Often it is very prominent; it is the main theme of the piece and is heard over and over. In that case, whether or not you know exactly how the composer translated the name into musical pitches, it is obvious that it is meant to be heard… They were not secretive about it.

It even proved therapeutic for some composers.

Johannes Brahms incorporated the notes A-G-A-H-E in bars 162 to 168 of the first movement in his 1868 piece “String Sextet No. 2 in G major.” By doing so, he included the name of Agathe von Siebold, a young woman he had fallen in love with. He and Agathe made plans to wed, but he later broke off the engagement to focus on his musical career.

But, by encoding her name into one of his works, he both honored her and gave himself closure on a relationship that would never be.

notes

The musical nature of this encryption technique makes it effective — because casual listeners wouldn’t notice anything hidden — but it also means that longer messages are harder to include naturally.

You see, the “spelling” can affect the music. Obviously, the more complex the message, the more it interferes with the actual musical composition and flow of the piece. To the untrained ear, this wouldn’t necessarily jump out, but to a trained ear, or at least a person experienced in reading music, it would be fairly obvious that something was amiss.

Musical ciphers are attributed to various composers (like Haydn) and even to writers like Francis Bacon, but arguably the greatest success story in musical cryptography goes to French composer Olivier Messiaen.

messiaen

His cipher matched a different note to each of the 26 letters in the alphabet. Unlike many other composers, he managed to develop a cipher that closely mirrored his own compositional style. Because of the similarities between his cipher and his traditional musical works, there was less of a chance that listeners would detect anything was off.

He managed to translate the words of philosopher Thomas Aquinas into an organ piece called “Méditations sur le mystère de la Sainte Trinité,” and cryptographers and musical historians alike praise him for doing so with complex rhythms and rich tones without spoiling his own works.

It’s clear that it takes both an artistic flair and a puzzler’s mind to make the most of musical cryptography. But then again, those two pursuits have crossed paths many times before, as evidenced by musically minded solvers like Dan Feyer, Patrick Blindauer, Jon Delfin, and friend of the blog Keith Yarbrough.

Perhaps the best of musical cryptography is yet to come.

[For more details on musical cryptography, check out this brilliant Atlas Obscura article by Christina Ayele Djossa.]


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Puzzles in Plain Sight: Secret Message in Hollywood Edition!

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[Image courtesy of MathTutorDVD.]

I am fascinated by codebreaking, secret codes, and that whole subgenre of puzzle solving. Probably because I’m pretty bad at it.

Don’t get me wrong, I can crack your bog-standard cryptogram or alphanumeric message. I’m fairly good at identifying patterns and deciphering codes when it comes to simple three-, four-, and five-digit answers in most escape room scenarios.

But when you start getting into encryptions where a letter’s meaning can shift as the coded message evolves — like the one employed by a devious 10-year-old kid in a puzzly letter to Santa years ago — and I quickly find myself stymied.

It leaves me all the more impressed when I read about codebreaking efforts as ambitious as ENIGMA and as silly (and, yet, still quite impressive) as Futurama fans cracking the multiple alien codes in the show just from random snippets.

But codebreaking isn’t just about cleverness, pattern-recognition, and determination.

Sometimes, it’s about knowing where to look.

For instance, in Los Angeles, there have been secret messages being transmitted in plain sight for decades.

Just cast your eyes to the light atop the Capitol Records building in Los Angeles.

The building was designed to look like a stack of records on a turntable, complete with the spindle pointing skyward. It opened in 1956, and the president of Capitol Records at the time, Alan Livingston, wanted the light to send out a message in Morse code. On opening day, Leila Morse — the granddaughter of Samuel Morse, inventor of Morse code — turned the light on.

The secret message being broadcast? “Hollywood.”

The message blinked away for decades. But it wasn’t the only message the light atop Capitol Records would send over the years.

In 1992, to celebrate the fiftieth anniversary of Capitol Records, the code was changed to “Capitol 50” for the entire year. Then it went back to the traditional “Hollywood” code.

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A decade later, it was changed again. What was the message? A secret announcement that would excite millions of pop music fans…

“Katy Perry. Prism. October 22, 2013.”

But as far as anyone can tell, nobody noticed. This teaser announcement never made the local or national news.

And so far, there hasn’t been a secret message since. At least, not that anyone has noticed.

Still, best keep your eyes on that light. You never know if your favorite artist might send you a secret signal. And it sure beats looking for backwards messages in heavy metal songs.


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The Puzzling Art of Letterlocking

letterlocking

[Image courtesy of Letter Writers Alliance.]

When you think about puzzles and personal security, what comes to mind?

Do you think of puzzle boxes, those delightfully tricky little wooden creations with all their sliding pieces and hidden compartments? Or does your mind go to encryption, the art of concealing your message in plain sight with ciphers, scytales, and other techniques meant to baffle anyone but those in the know?

Some puzzle box designs date back centuries, and ciphers can be traced back even further. (One is named after Caesar, after all.)

But there’s another centuries-old puzzly procedure you might not know about, and it kept letters and messages safe using nothing more than paper and wax.

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[Image courtesy of ibookbinding.com.]

This technique is known as letterlocking. It involves a mix of precise folds, interlocking pieces of paper, and sealing wax in order to create a distinctive design or pattern.

Although the pattern itself can work like a puzzle — requiring a particular trick to unfold it and reveal the message without ripping or damaging the letter — that’s only a secondary line of defense. The true goal of letterlocking is to reveal tampering. The folding techniques are distinctive, and the wax creates points of adhesion.

If you receive a letter and the folds are done (aka redone) incorrectly, or the wax is smeared (or the paper ripped where the wax would have held it tight), then you know the letter has been compromised.

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[Image courtesy of ibookbinding.com.]

Some examples of letterlocking trace back to the 13th century, and key figures like Queen Elizabeth I, Machiavelli, Galileo, and Marie Antoinette employed letterlocking security in the past. Mary, Queen of Scots, wrote a message and letterlocked it with a butterfly lock six hours before her beheading. (For a more modern reference, letterlocking was employed in the Harry Potter films as well, most famously in Dumbledore’s will.)

The various techniques involved are as distinctive as knots. The triangle lock. The dagger-trap. The pinwheel letter. And some historians believe that those techniques imply connections between some of the important players in history.

For instance, both poet John Donne and the spymaster of Queen Elizabeth I employed a similar letterlocking style. Did they share a common source, or even an instructor in common? Or did a particular letterlocking technique provide a clue as to the contents of the letter within?

Letterlocking is a historical curiosity that was seemingly lost to time after the proliferation of the envelope and other security techniques, but it is slowly being rediscovered by a new generation, as well as reverse engineered by scientists and scholars. Yale and MIT both have teams exploring the burgeoning field of letterlocking.

Museums are discovering treasure troves of letterlocked messages by going directly to the source: post offices. A cache of 600 undelivered letters in the Netherlands, for instance, are being analyzed by researchers.

trianglelock

[Image courtesy of Atlas Obscura.]

It’s a remarkable thing, really, this union of centuries-old skills with twenty-first century knowledge. These are puzzles, frozen in time, waiting to be solved and placed into the larger picture of history.

Letterlocking is nothing less than a rare and beautiful art combining puzzles and privacy, as elegant as it is clever. There are no doubt many more secrets to be found behind the folds, slits, and wax seals of these lovingly crafted messages.


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A World of Puzzles and Games at Norwescon 42!

Your friendly neighborhood puzzle blogger took a trip across the country to attend Norwescon, the premiere fantasy and science fiction convention in the Pacific Northwest.

This was the 42nd edition of the convention, and if you know your sci-fi novels, then you’re not surprised that there were all sorts of references to The Hitchhiker’s Guide to the Galaxy. (The number 42 is a big part of the first novel.)

The convention’s subtitle was “Don’t Panic” (another HHGTTG reference), and lots of convention attendees were in their bathrobes or carrying towels, representing the two main characters of the series, the bathrobe-wearing Arthur Dent and the towel-toting alien tourist Ford Prefect.

As with any convention, the costuming was amazing. There were fairy godmothers, vikings, mermaids, Daleks, folks in Seahawks-colored finery (it was Seattle, after all), a Predator offering free hugs, an inflatable T-rex costume with those robotic grabber arms, and even photo ops with Krampus and Santa! (And Easter Krampus on Sunday.)

One of the oddest moments for me was seeing a group of people in uniforms I didn’t recognize, and realizing they weren’t con attendees, they were the flight crew for an international airline. (The hotel was across the street from the airport.)

Although many of the convention’s panels and events have a writerly focus, plenty of attention is also given to art, films, games, and pop culture, so there was loads for puzzle and game fans to enjoy at the event.

The dealers room — the main area to shop for costumes, books, fabric, t-shirts, memorabilia, collectibles, and more — had several game shops represented, toting loads of games at good prices. (Several of which we’ve reviewed on the Blog in the past, and some that will be reviewed in the future.)

[All hotel nooks and crannies were stuffed with thematic exhibits, including this delightful leave-a-book, take-a-book mini-library a la The Restaurant at the End of the Universe.]

Board game demos were available all day, complete with skillful players to introduce newbies to various games, as well as tabletop roleplaying adventures in all sorts of settings and systems, from Dungeons & Dragons and Vampire: The Masquerade to Pathfinder and more. In fact, one of the gaming spaces was right down the hall from my hotel room, and it was PACKED morning ’til night with enthusiastic roleplayers telling stories, rolling dice, and battling monsters.

There were open games as well as sign-ups for specific games and adventures, including a multi-table multi-hour battle for gang supremacy in the fictional city of Waterdeep.

One of the most intriguing puzzle/game experiences available to try at the convention was Artemis.

Artemis is a spaceship bridge simulator that allows a group of players to essentially play out a Star Trek-esque adventure. Each player has instructions, controls, and a laptop in front of them, as well as a big screen for everyone to view (much like the main viewer on the bridge of the Enterprise).

Two teams, each piloting their own ship (the Artemis or the Intrepid) must battle foes, trade goods, dock with space stations, and explore the galaxy, all while maintaining their weapons, shields, energy usage in the ship, and piloting control, as well as communicating with their sister ship through headset.

I moved back and forth between the two “ships,” watching as the players navigated different challenges, cooperated (and disagreed) on command decisions, managed their resources, and ventured between the stars, all while some pretty impressive graphics tied the whole play experience together.

What really struck me about the Artemis style of play was how much communication was required for success. It is a co-op game in the same vein as Castle Panic!, Forbidden Island, or Spaceteam, but with a lot more personal responsibility. Plus the laptop interfaces for each station were slick and well-designed, bringing that polished Star Trek: The Next Generation feel home.

I was also responsible for some of the puzzliest events at the convention. Although I did participate in some panels on writing, literature, roleplaying games, and movies (both good ones and the worst of b-movies), the two events that were the main focus of my time were a LARP/scavenger hunt based on The Hitchhiker’s Guide to the Galaxy and an escape room based on Star Wars.

The HHGTTG event was built as an in-universe scavenger hunt where players (who were all expected to bring their towels, of course), had to complete five tasks. The completion of each task led to a rune for the players to record on their gamesheet. and earn five runes, then spell them out in a secret location using their towels, in order to ask an important question.

Some of the tasks included:

  • finding HHGTTG character names in a word search grid, then reading the remaining uncircled letters as a secret message
  • singing karaoke to the mermaids at the hotel pool
  • assisting a Vogon poet with her terrible poetry

They had to earn all five runes, then find me in a secret location and spell out the runes with their towels. If they did so correctly, they would bring one of the missing dolphins back to Earth (and received a small stuffed one for their efforts).

[A bag full of dolphins, awaiting a possible return to Earth.]

The Star Wars event was a traditional escape room with puzzles to solve, boxes to unlock, combinations to find, keys to uncover, and a room to escape under a time limit. Designed for the teenaged attendees, the escape room was set on a bounty hunter’s ship, and all of the players were recently captured by the bounty hunter, awaiting transport to an Imperial prison.

But the bounty hunter has fallen victim to one of his own security protocols, so all of the “prisoners” have a chance to escape, if they disable the (Nerf gun-)armed droid blocking the escape pod, as well as either shut off the radiation leak near the pod OR gather enough bacta to heal themselves from radiation damage in order to actually survive the escape.

[Nerf guns and five shipped boxes. An embryonic escape room.]

[The contents of said shipped boxes. An escape room mid-construction.]

Although some of the boxes were opened out of order (by brute force, rather than proper solving) and one of the puzzles had an unfortunate printing error, the players unraveled the mysteries of the bounty hunter’s ship and escaped with only seconds to spare before the Imperials arrived. SUCCESS!

(Plus friend of the blog Jen Cunningham cooked up some lovely victory certificates for the players, which was a cool bonus. Thank you Jen!)

More importantly, despite the hiccups encountered during both events, everyone had fun while playing (either walking away with a small dolphin or a certificate).

The entire convention was a blast (an exhausting one, but a blast nonetheless), and I highly recommend attending Norwescon next year to any fans of horror, sci-fi, fantasy, writing workshops, games, roleplaying, and of course, puzzles.


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