Tag Archives: Slate

How Far Crosswords Have Come (and How Much Farther They Have to Go)

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Problem-solving-crossword

The battle to decrease gender inequality and increase representation in crosswords is ongoing. More people than ever are speaking up on behalf of women, people of color, LGBTQIA+ constructors, and non-binary individuals when it comes to who is constructing the puzzles (and being properly credited), as well as how members of those groups are represented by current grid entries and cluing.

Natan Last is one of many people standing up to make crosswords better, more inclusive, and more emblematic of a richer melting pot of solvers and constructors. In a recent article in The Atlantic, Last neatly encapsulates both the movement for a more inclusive crossword publishing community and the many obstacles that stand in its way.

He starts with a single example — a debut puzzle by a female constructor, Sally Hoelscher — and the conversation that ensued when one puzzle aficionado asked about the ratio of women’s names to men’s names in the puzzle.

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[Image courtesy of XWordInfo.]

Originally there were no men’s names. One entry was edited in. And a discussion about parity in puzzles followed.

Last uses this example as a springboard into the greater argument about how modern crossword editing (and editors) discriminate through gatekeeping under the guise of what’s “familiar” or “obscure.”

From the article:

Constructors constantly argue with editors that their culture is puzzle-worthy, only to hear feedback greased by bias, and occasionally outright sexism or racism. (Publications are anonymized in the editor feedback that follows.) MARIE KONDO wouldn’t be familiar enough “to most solvers, especially with that unusual last name.” GAY EROTICA is an “envelope-pusher that risks solver reactions.” (According to XWord Info, a blog that tracks crossword statistics, EROTICA has appeared in the New York Times puzzle, as one example, more than 40 times since 1950.) BLACK GIRLS ROCK “might elicit unfavorable responses.” FLAVOR FLAV, in a puzzle I wrote, earned a minus sign.

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[Image courtesy of CNBC.]

But what is kept out is only part of the problem, of course. Last goes on to mention many of the same insensitive and offensive clues and entries we (and other outlets) have cited in the past.

He caps off this part of the article by highlighting Will Shortz’s responses to these troubling questions:

But when prodded about insensitive edits, he denied them, adding: “If a puzzlemaker is unhappy with our style of editing, then they should send their work elsewhere (or publish it themselves to keep complete control).”

A pretty damning statement, to be sure.

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Turning away from the problems represented by the most famous daily crossword in the world, Last pivots, turning a spotlight on those who are helping turn the tide in terms of representation and inclusivity.

He shouts-out well-respected and innovative editors like Erik Agard (of USA Today‘s crossword), David Steinberg (of Andrew McMeel Universal’s Puzzles and Games division), and Liz Maynes-Aminzade (of The New Yorker crossword), heaping praise on a fresh constructor-editor partnership that encourages new voices and greater diversity of content.

Last also mentions worthy projects like the Inkubator, Women of Letters, and Queer Qrosswords, as well as the Women’s March crossword movement inspired by the work of Rebecca Falcon.

Across the entire article, Last highlights a system problem in crosswords, challenges those responsible to do better, and praises those who are working for the greater good. And he does so in about a dozen paragraphs. That’s all. It’s efficiency and flow worthy of a top-notch constructor.

You should read it for yourself. You won’t be disappointed.

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Publish More Women!

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That was the message received loud and clear by attendees at the American Crossword Puzzle Tournament last year if they saw Erik Agard’s t-shirt. The future ACPT champion was amplifying a call that has resonated throughout the puzzle community for years now.

And yet, puzzles are often still regarded as a boys’ club.

Despite the fact that Margaret Farrar got the ball rolling. Despite the fact that Maura Jacobson contributed a puzzle to each of the first 34 ACPT tournaments and created over 1400 puzzles for New York Magazine. Despite a grand tradition of female innovators, tournament champions, and topnotch constructors that continues to this very day.

This topic once again took center stage recently when Will Shortz, gatekeeper for The New York Times crossword, posted his thoughts on the subject online:

Periodically I get asked, “Why aren’t more female constructors published in the New York Times?” And I always think, “Well, we don’t get a lot of submissions from women.” But until now I’ve never counted.

So this afternoon I counted. I looked through 260 recent submissions … and counted 33 by female constructors. That’s a little under 13%.

This figure is in line with the percentage of female constructors we publish. Last year, according to the stats at XwordInfo, 13% of the crosswords published in the Times were by women. So far this year the figure is slightly better — 15%.

Why this number is still so low, I don’t know.

In positive news, the number of new female constructors is significantly higher. In 2016, 31% of the 26 contributors who made their Times debut were female. In 2017, 19% were female. So far this year 27% have been female. XwordInfo lists all the names.

Our goal is to be inclusive. We want the Times crossword to reflect the lives, culture, and vocabulary of the people who do it, and having more female-made puzzles would provide better balance.

Still for us to publish more women constructors, we need to receive more puzzles by women. That’s the bottom line.

Our policy is open submissions. If you’re a woman who’d like to get into crossword constructing, we’d welcome your contributions, and we’ll be happy to work with you to get you published.

Reactions across the puzzle community have been mixed, but a number of people found Will’s response lacking. They asked what actual steps would be taken in order to encourage women and other underrepresented groups. Would there be additional support from the NYT for these sought-after constructors? Or would the status quo remain precisely that?

Those are questions worth asking. After all, the Times has been celebrating its 75th anniversary for the last year and a half with celebrity guest constructors. But how many of those celebrity collaborations have been with female constructors?

Three. That’s a project with huge visibility and mainstream media crossover potential, and the number is three.

And speaking of media crossover, it wasn’t that long ago — less than two years, actually — that the divisive clue “Decidedly non-feminist women’s group” for HAREM appeared in the NYT. Ruth Gordon wrote a brilliant piece in Slate highlighting how cluing standards at the Times could be exclusionary:

“Hateful” and “awful” may seem a bit harsh for what reads like a lame attempt at cheekiness. But the clue is certainly tone-deaf. And it’s not the first time a puzzle’s un-PC cluelessness has annoyed people. In 2012, the answer ILLEGAL was clued with: “One caught by the border patrol.” The offensive use of illegal as a noun set off a brouhaha that made its way to Univision.

And in November, Shortz issued a mea culpa for the clue “Exasperated comment from a feminist.” Answer: MEN — presumably with an invisible exclamation point and flying sweat out of a Cathy comic.

So, how has the NYT crossword been doing over the last two years?

We can turn again to the insightful Erik Agard for context. While guest-posting on Rex Parker’s puzzle blog, Erik took a moment to celebrate and spread the word about Women of Letters, the marvelous 18-puzzle charity project we also discussed a few weeks ago:

It’s also a lot of women! In fact, there are more woman-constructed crosswords in this collection than there have been published by the New York Times so far this year. Those who fail to see the urgency in closing the gender gaps in crossword constructing and editing often posit that ‘you can’t tell the difference between a crossword written by a woman and one written by a man’ (ergo, whether women are equally represented has little bearing on the end product, so why should we care).

The puzzles in Women of Letters disprove that thesis in a big way, through the dizzying array of less-traveled roads explored by themes, grids, and clues alike. From the juiciest marquee answers in the themelesses to the simplest choice of referencing a legendary actress by her accolades and not just [Bond girl], the collection never ceases to be a breath of fresh, inimitable air. (As the young people say: “Your fave could never.”)

That comment was posted on April 29th, and yes, as of April 29th, the New York Times crossword had published 17 puzzles from female constructors (including male/female collabs). That’s 17 out of 119 puzzles for the year, or 14.3%.

Erik helpfully provided some other statistics for the sake of comparison:

  • Crosswords With Friends: 33/119 = 27.7%
  • The Los Angeles Times: 31/119 = 26.1%
  • American Values Club Crossword: 3/18 = 16.7%
  • Chronicle for Higher Education: 2/16 = 12.5%
  • Wall Street Journal: 9/99 = 9.1%
  • Fireball Crosswords: 0/19 = 0%

It’s also worth pointing out that, as of April 29th, our Daily POP Crosswords app stood at 87/119, or 73.1%.

If you update the listings up through May 15th, Daily Pop Crosswords published 95 puzzles by women over 135 days. March alone featured 21 puzzles by women across 31 days. Heck, in February, only two puzzles the entire month were constructed by men. (Er, man, to be more specific. The same chap constructed both.)

But those aren’t the only numbers worth celebrating. Our friends at Penny/Dell Puzzles maintain an impressive publication rate for The Crosswords Club subscription service. They publish six puzzles a month, so from January to May, that’s 30 puzzles, and 16 were constructed by women (including three collabs). The January issue was all female constructors.

That’s no surprise, honestly, given the company. At Penny/Dell Puzzles, women constitute the majority of not only puzzle editors, but upper management as well.

So, forgive me if I come off as flippant, but when Will Shortz asks, “Why this number is still so low?”, I have to ask why as well.

Because the constructors are out there, right now, doing tremendous work.

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Cultural Sensitivity and Crosswords

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Last summer, I wrote a blog post discussing an article on Slate by Ruth Graham. The article was entitled “Why Is the New York Times Crossword So Clueless About Race and Gender?”

So, what sort of progress has been made over the previous 365 days? Clearly not enough, given the title of an article published last week on The Outline, entitled “The NYT Crossword is Old and Kind of Racist.”

Adrianne Jeffries makes a strong case for how out-of-touch the crossword often seems these days:

…the Times crosswords, which have been edited by the famed crossword giant Will Shortz since 1993, are vexing for how outdated some of the clues and answers are, especially since in some cases the terms have been abandoned by the paper itself. The puzzle clearly isn’t seeking new talent or a new audience, and in its stodginess, it becomes clear that it is composed for a very particular reader with a very particular view of the world.

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[Image courtesy of New York Magazine.]

She backs up her supposition with numerous examples of tone-deaf cluing and grid fill, like ESKIMO, Oriental, and SISSIES.

There is some overlap with Ruth Graham’s points from last year — including the reductive use of HOMIE regarding black culture and the clue “One caught by the border patrol” for ILLEGAL — and Jeffries went on to include examples of the issue I raised last year with the objectionable “This, to Juan” cluing style that abounds in crosswords.

But she takes things one step further than previous efforts by pointing out how the crossword is out-of-step with the rest of the New York Times newspaper, citing the year that various terms were marked offensive in the Times style guide. (“Oriental” as a descriptor, for instance, was banned in 1999.)

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[This is oriental. People are not. Image courtesy of Rashid Oriental Rugs.]

It’s disheartening that articles like this are so necessary. Women and people of color deserve better representation in the Times puzzles, both as contributors of puzzles AND as subjects of clues and entries themselves.

Jeffries offered another damning example of dubious Shortzian editing:

I also found an exchange from 2011 illuminating. Shortz asked puzzle constructor Elizabeth Gorski to change an answer on her submitted puzzle. “There was one thing about the construction I didn’t like, and that was at 35 Down,” Shortz told The Atlantic. “The answer was LORELAI, and the sirens on the Rhine are of course ‘Lorelei,’ with an ‘e-i.’ Liz’s clue was Rory’s mom on Gilmore Girls, and I didn’t think solvers should have to know that.” He had the constructor revise the answer to make it 1) more old and 2) refer to mythical women who are so distractingly beautiful that they cause men to crash their ships on the rocks, instead of, a cool mom from a television show that millions of women (and some men) love.

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[Image courtesy of The Odyssey Online.]

Even as a (relatively) younger voice in puzzles, I can’t deny many of her points. Puzzles should do a better job of acknowledging modern culture, of serving as a tiny, daily time capsule of our world.

As I said last year, crosswords are a cultural microcosm, representing the commonalities and peculiarities of our language in a given time and place. They represent our trivia, our understanding, our cleverness, our humor, and, yes, sometimes our shortcomings.

One year later, I wonder if progress will continue to feel so gradual, or if, sometime soon, we’ll begin to feel the cultural quakes and shifts that indicate real change is approaching.

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Identity and Gender in The New York Times Crossword

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[Image courtesy of the Odyssey Online.]

Only two months ago, I wrote a blog post about a Slate article discussing how The New York Times crossword can be socially tone-deaf at times. So it’s heartening today to write about a New York Times crossword puzzle that’s progressive, one that is bringing the conversation forward instead of feeling out-of-touch.

On Thursday, September 1, the paper published a crossword by constructor Ben Tausig. Even on the surface, this was a rare puzzle, because it allows for multiple entries that fit a given definition. These puzzles are known as Quantum puzzles or Schrödinger puzzles.

The most famous example is the 1996 Election Day crossword pictured below, which “predicted” the outcome of the election quite cleverly by allowing for either CLINTON ELECTED or BOB DOLE ELECTED to read out, depending on how the solver answered seven down clues.

In Ben Tausig’s puzzle, there are four across entries and four down entries that each allow for two possible answers. For instance, 67 Across is clued “Tough stuff to walk through” and the answer can be FIRE or MIRE. That entry crosses 60 Down, which is clued “Word that can precede sex,” allowing for the answers SAME or SAFE.

What separates Tausig’s puzzle from this elite group of masterfully constructed Quantum crosswords is what it represents on a social inclusiveness level.

The letter variability — allowing for M or F to appear in the box and still fit the definition — is a wonderful metaphor for the fluidity of gender, especially in the limiting, but generally accepted, binary concept of male or female. Having GENDER FLUID as the revealer entry helps demystify both the theme and the topic at hand for solvers.

[Click here to see a larger version of the grid.]

As constructor Ben Tausig says in his XwordInfo write-up of the puzzle:

The theme letters don’t move from M to F or from F to M, in the manner of a binary, but float in an unresolved place in between. That’s a simple but reasonable way of representing queer sexuality — as a forever-exploration of identity and desire.

And although those two concepts only scratch the surface of the rich panoply of emerging terms and definitions with which people can express their gender or identity, this is an excellent step forward.

Kudos to Tausig and the crew at The New York Times crossword for a puzzle that’s elegant and inclusive in more ways than one.

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Puzzle Culture: Tone-Deaf Cluing?

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The latest comic on Hayley Gold’s wonderful webpage Across and Down brought an article on Slate to my attention, and I wanted to share my thoughts on the subject.

The article by Ruth Graham was entitled “Why Is the New York Times Crossword So Clueless About Race and Gender?” and the centerpiece of the article was last week’s Tuesday puzzle, particularly the 31-Down clue “Decidedly non-feminist women’s group” for HAREM.

Ick.

HAREM is a troublesome word to clue as it is, one of those filler words that makes crosswords feel so behind-the-times, like PAGAN (which is always clued like “heathen” instead of as someone non-aligned with the bigger religions).

[A crossword that looks as old-timey as modern ones sometimes feel…]

Even the clues that pass for innocuous when it comes to HAREM, like “Sultan’s bevy of beauties,” are a little unpleasant, as if some tuxedo-clad goon is describing the contestants for Miss America, another antiquated practice that should go by the wayside.

But I’m getting off track here.

Graham’s point was about women and people of color being poorly treated by insensitive, thoughtless cluing, and she clearly did her homework while commenting on incidents in the past:

“Hateful” and “awful” may seem a bit harsh for what reads like a lame attempt at cheekiness. But the clue is certainly tone-deaf. And it’s not the first time a puzzle’s un-PC cluelessness has annoyed people. In 2012, the answer ILLEGAL was clued with: “One caught by the border patrol.” The offensive use of illegal as a noun set off a brouhaha that made its way to Univision.

In 2013, a national puzzle syndicate apologized for using the clue “Shylock” for the answer JEW. And in November, Shortz issued a mea culpa for the clue “Exasperated comment from a feminist.” Answer: MEN — presumably with an invisible exclamation point and flying sweat out of a Cathy comic.

[Image courtesy of TheGloss.com.]

I’m surprised she left out the granddaddy of them all when it comes to crossword insensitivity: the June 6, 2008 crossword that featured ETHNIC CLEANSING as 11-Down. (Special thanks to Eric Berlin’s website and Rex Parker’s blog for helping me track down the exact date on that one.)

She went on to discuss the dearth of women and people of color in puzzle constructing — something that is slowly changing, thankfully — as well as the tendency to only bring black culture into crosswords with “homies” and “thugs” in order to clue words like HOOD and GANGSTA, but there was one style of cluing that I feel should also be discussed in the same light.

You’ll see foreign words often clued with the English equivalent, and then some indicator of a foreign place. “One, in Seville” for UNO, or “Sea, in Paris” for MER. That’s all well and good.

[Image courtesy of Tumblr.]

But I’ve always been a little uncomfortable with clues like “June, to Juan” or “Left, to Pablo” that are meant to follow the same format. Picking names that are stereotypically associated with a given culture or ethnicity may not be as overtly hostile as cluing “Gangsta rap characters” as THUGS, but it’s certainly not MUCH better.

And we should do better. Crosswords are a cultural microcosm, representing the commonalities and peculiarities of our language in a given time and place. They represent our trivia, our understanding, our cleverness, our humor, and, yes, sometimes our shortcomings.

But if each crossword is a tiny time capsule, we should try our damnedest to have it represent the best of us.

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