Welcome to the World of Wordventures!

You can hear the lapping of the waves, even at a distance. A slight breeze heightens the chill in the air. The moon is already on the rise, casting long shadows that look as if they’d love nothing more than to reach out and grab you.

Night is quickly falling as you climb a hill, the last hill on your long journey. A small collection of buildings comes into view. You pass an old wooden sign that marks the town line.

Mistyvale Oaks.

A town full of strangers, distrusting souls that probably won’t take kindly to your intrusion.

A town full of secrets, a seaside port with rumors of ships both real and otherworldly haunting its shores.

A town with a horrifying history, where the laughter and playful patter of children’s feet are absent.

The children of Mistyvale Oaks have disappeared, and you’re the only one who can solve the mystery.

Welcome to the opening scenes of Wordventures: The Vampire Pirate, our newest puzzle app. This immersive story-driven puzzle-solving experience places you in the shoes of our nameless protagonist, who has followed stories of an ancient cult to this foreboding place.

Puzzles and exploration go hand-in-hand in Wordventures. As your character investigates in the story, going first from building to building, and then beyond into the mystery of Mistyvale Oaks, you search for key words in each puzzle grid, revealing small clues, new personalities, and important revelations in the narrative.

Along the way, evocative music and gorgeous artwork draw you further into the story, urging you forward as you fill your investigative journal with crucial information, other paths to explore, and the lore behind the curious objects you discover as you search.

And as you progress through the story, more supernatural elements come into play. You’ll need to rely on your wits, your puzzly skills, your investigative chops, and your trusty journal to solve the mystery!

What happened to the children of Mistyvale Oaks? What about the rumors of a ghost ship spotted nearby for years? And where does the vampire pirate of the title fit in?

Well, the only way to find out is to solve a mystery yourself! Click here to learn more about Wordventures: The Vampire Pirate and download the app now!


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Storytelling and Puzzles Unite in Wordventures! Available now!

There’s nothing more exciting than announcing a brand-new puzzle app we’ve been working on, and today, we’ve got something truly special for you to enjoy.

Our newest app, Wordventures: The Vampire Pirate is now available for download!

A town’s children have gone missing. A mysterious undead pirate and his ragtag crew lurk nearby. And the only person who can unravel the mystery and find the children is you!

In Wordventures, you can immerse yourself in a investigation while solving word search puzzles to uncover clues, reveal secrets, and move the story forward!

Combining the world-class puzzle solving you expect from PuzzleNation with a multilayered storytelling experience offers the best of both worlds. You’ll explore the town, meet fascinating characters, and even keep notes in a journal as you play through the story!

You control the pace, you control the difficulty, and you push the narrative forward with every puzzle you solve!

Solve a mystery like never before with Wordventures: The Vampire Pirate! Click here to learn more about the app and download it now!


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PuzzleNation Product Review: Nanofictionary

[Note: I received a free copy of this product in exchange for a fair, unbiased review. Due diligence, full disclosure, and all that.]

We’re used to puzzles where you have to combine pieces to reveal a picture, or you use clues to complete a grid, or you employ deduction to unravel a series of events. It’s far less common for puzzlers to put those skills to use telling a story.

The latest offering from the crafty crew at Looney Labs challenges players to do precisely that: tell a story. More specifically, Nanofictionary tasks you with telling the best story possible from the ingredients available.

And you better do it quickly. Imagine you’re pitching a movie and you’ve only got the length of an elevator ride to sell it to a producer.

Nanofictionary offers up to six players a selection of four decks of cards: characters, settings, problems, and resolutions. Each player draws a starting hand, consisting of two characters, one setting, one problem, and one resolution. Players then try to build an entertaining narrative from the options at hand, by drawing and discarding cards, before declaring themselves ready to pitch.

Here is the first element of strategy in the game: deciding when you’re ready to present your story. If you do so quickly, you secure an earlier slot than the other players. Although this means other players can add additional cards to their hands (and thereby enhance their stories), it also means that ties are settled in favor of players who readied their stories faster. It’s a tradeoff, more cards in the short term vs. a tactical advantage in the long term.

After everyone has assembled their stories, each player has a turn performing their elevator pitch, doing so in the order in which they declared themselves ready. After all the stories are shared, the players then vote for their favorite story. (Naturally, to prevent every player from doing so, you cannot vote for yourself.)

Nanofictionary is an intriguing mix of strategy, luck, and ingenuity. The strategy involves not only when to declare your story ready, but what choices you make to get there. Do you choose the unexpected new card on your turn, or rifle through the cards discarded by the other players? Do you wait for a few other players to declare their stories ready, allowing yourself access to more cards in your hand, or do you go for the tie-breaking advantage you might need?

Luck, of course, comes into play with the cards you randomly draw. Perhaps you’ll end up with elements that quickly form an entertaining tale in your mind. Or perhaps you’ll struggle to ditch the pieces that don’t inspire you, hoping to trade them for a more exciting setting or a problem that makes the most of the characters in your hand.

But, as you might expect, the ingenuity side is where the game comes alive. Just sitting back and watching these delightfully brief (and yet hilariously detailed) stories come to life is a real treat, and quite honestly, it makes the voting aspect so hard. Because with the right group of players, virtually any combination of cards can turn into gold with the right storyteller.

The designers fit a surprising amount of variety and reusability into these four small decks of cards, allowing storytellers to run wild with tales as fantastic as they are ridiculous. It’s not your usual puzzle game, but that’s part of the charm.

Nanofictionary is available now from Looney Labs and select participating retailers for $16.


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5 Questions for Artist and Game Designer Jennifer Hrabota Lesser

Welcome to 5 Questions, our recurring interview series where we reach out to puzzle constructors, game designers, writers, filmmakers, musicians, artists, and puzzle enthusiasts from all walks of life!

It’s all about exploring the vast and intriguing puzzle community by talking to those who make puzzles and those who enjoy them! (Click here to check out previous editions of 5 Questions!)

And I’m excited to welcome Jennifer Hrabota Lesser as our latest 5 Questions interviewee!

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Jennifer Hrabota Lesser is an artist. Whether it’s commissioned artwork, passion projects of her own, or design work for board games and video games, she adds a personal touch to every piece she works on.

Initially getting into the game industry as a way to pay off student loans, she has since gone on to build a small board game company, Wild Power Games, with her husband. She also teaches a summer class on game design at the Rhode Island School of Design.

Jennifer was gracious enough to take some time out to talk to us, so without further ado, let’s get to the interview!


5 Questions for Jennifer Hrabota Lesser

1.) How did you first get into puzzles and games?

I’ve always loved puzzles and games. I think that I’ve always found them to be very calming. As a kid, puzzle books were a great way to get through long car rides. (Back in the days before iPhones!) These days, they are a way to unwind and calm down.

I am definitely a gamer, I adore board games and table top games. I also find Sudoku very soothing and meditative.

2.) I had the pleasure of scrolling through the art on your website, and there’s a really wonderful trend of reaching out that seems to suffuse many of your works. People holding each other, or finding themselves enveloped by things like flowers. Is that an intentional theme, either for your site or for your art in general, or just something I pulled from this sampling of your work?

Connection is an ongoing theme in my work, both connection with other people and connection with nature. I try to portray my subjects in transitional moments, where they may be at a point of finding a deeper connection with someone, or they may feel as if something has just been lost — the moments of feeling untethered. I believe understanding our connection with those around us is important to our health and happiness as individuals and as a society.

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3.) How does your art inform your work in games, and vice versa?

My work is strongly influenced by mythology and fables, and the games I work on are often character-centered. I really enjoy working on games that have a story, and I think the same applies to my artwork. There is often an implied narrative in the work I’m doing.

I often like to portray strong female characters, finding their power. Years ago I got to design some great female characters for Guitar Hero 2, which was a blast because I love playing guitar and women tend to be underrepresented in rock. More recently I was able to design some of my favorite goddesses for our tabletop game High Heavens. I particularly loved painting Nut and Isis from the Egyptian pantheon. Illustrating The Mother of Dragons for a recent Game of Thrones expansion was also pretty great.

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4.) What’s next for Jennifer Hrabota Lesser?

I am working on a poker deck that will be featuring my artwork, which is going to be an intense undertaking, but one that I am excited about!

5.) If you could give the readers, writers, artists, aspiring game designers, and puzzle fans in the audience one piece of advice, what would it be?

Whatever your creative path is, find time to do it every day. Create when you are inspired, but create when you are uninspired, push through the times when you aren’t feeling it, to get into the habit of working. I love the quote by Pablo Picasso: “Inspiration exists, but it has to find you working.”

We work and work, and sometimes when we least expect it, something amazing happens. It won’t happen if you aren’t doing the work in the first place.


A huge thank you to Jennifer for her time. Be sure to check out her website for the latest updates on all her marvelous endeavors!

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It’s Follow-Up Friday: Hall of Fame edition!

Welcome to Follow-Up Friday!

Follow-Up Friday is a chance for us to revisit the subjects of previous posts and bring the PuzzleNation audience up to speed on all things puzzly.

And today, I’d like to return to the subject of Dungeons & Dragons!

I’ve written about Dungeons & Dragons and other roleplaying games in the past, because I think they are a wonderful, underappreciated part of the world of puzzles and games. Some of the best and most satisfying riddles and puzzles I’ve ever solved were an integral part of a game of D&D.

So I’m excited to announce that Dungeons & Dragons has been inducted into the National Toy Hall of Fame!

Housed at The Strong National Museum of Play, the National Toy Hall of Fame recognizes those products and improvised toys that have played a crucial role in the development of children and teens.

Whether they assist in hand-eye coordination, storytelling, deduction, athletics, or creativity, they are all classic examples of toys tied to fond memories of childhood. Previous inductees include the Rubik’s Cube (2014), Hot Wheels (2011), the Radio Flyer Wagon (1999), Jacks (2000), and Play-Doh (1998).

And I for one think Dungeons & Dragons is a very worthy addition to this club.

From the induction notice:

Dungeons & Dragons and its imitators actually changed the nature of play.

In Dungeons & Dragons players assume the roles of characters who inhabit a world moderated and narrated by a Dungeon Master, a player who explains the action to others and solicits their reactions to the unfolding story. The Dungeon Master’s storytelling skills and the players’ abilities to imagine add enjoyment to the game. Some aspects of the play are familiar, such as dice. But the special dice for Dungeons & Dragons hold up to 20 sides. Rolling them determines each character’s individual strengths, plots their complex interactions, and decides the outcome of their encounters.

More than any other game, Dungeons & Dragons paved the way for older children and adults to experience imaginative play. It was groundbreaking. And it opened the door for other kinds of table games that borrow many of its unique mechanics.

For over forty years, Dungeons & Dragons has been synonymous with roleplaying, collaborative storytelling, and good old-fashioned sword-swinging derring-do. And I think it’s fantastic that it’s getting some long-overdue recognition for the positive role it has played in so many people’s lives.

Congratulations to you, Dave Arneson and Gary Gygax. Thank you for hours and hours of brilliant, engaging fun.


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