Intersections of Puzzle and Poetry

The more you look, the more you can find puzzles in all sorts of interesting places. We find them in literature, in historical documents, and in popular culture.

So it should come as no surprise that puzzles can be found in the world of poetry as well.

We’ve covered a few examples where poetry and puzzles have overlapped in the past, whether it’s the creations of Peter Valentine, the works of Edgar Allan Poe, or the art of carmina figurata.

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But that’s only scratching the surface.

One of the most common ways that puzzly techniques find their way into poetry is through acrostics. Acrostics spell out messages with the first letter of each line or verse.

One of the most famous is a poem by Lewis Carroll at the end of Through the Looking-Glass where he reveals the identity of the girl who inspired his famous stories:

A boat beneath a sunny sky,
Lingering onward dreamily
In an evening of July—

Children three that nestle near,
Eager eye and willing ear,
Pleased a simple tale to hear—

Long has paled that sunny sky:
Echoes fade and memories die.
Autumn frosts have slain July.

Still she haunts me, phantomwise,
Alice moving under skies
Never seen by waking eyes.

Children yet, the tale to hear,
Eager eye and willing ear,
Lovingly shall nestle near.

In a Wonderland they lie,
Dreaming as the days go by,
Dreaming as the summers die:

Ever drifting down the stream—
Lingering in the golden gleam—
Life, what is it but a dream?

Carroll certainly offers the most famous example, but I must confess that my favorite example comes from a story on Wikipedia. Poet Rolfe Humphries was banned from Poetry Magazine for life for an acrostic aimed at a diplomat and former president of Columbia University. The acrostic quite bluntly read “Nicholas Murray Butler is a horse’s ass.”

Of course, the message reading down — also known as an acrostich — isn’t the only way these messages can be hidden.

There are also examples of mesostich — where the word or message is spelled with letters in the middle of the verse — and telestich, where the last letters of each line spell a name or message.

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[Image courtesy of Twitter.]

These techniques were also used in ancient Greek inscriptions, where one particular example, AL205, featured acrostich, mesostich, and telestich messages at the same time.

Other puzzly stylings have also allowed poets to flex their wordplay muscles.

For instance, David Shulman wrote a 14-line sonnet about George Washington’s famous river crossing where every line is an anagram of “Washington crossing the Delaware”:

A hard, howling, tossing water scene.
Strong tide was washing hero clean.
“How cold!” Weather stings as in anger.
O Silent night shows war ace danger!

The cold waters swashing on in rage.
Redcoats warn slow his hint engage.
When star general’s action wish’d “Go!”
He saw his ragged continentals row.

Ah, he stands – sailor crew went going.
And so this general watches rowing.
He hastens – winter again grows cold.
A wet crew gain Hessian stronghold.

George can’t lose war with’s hands in;
He’s astern – so go alight, crew, and win!

There are also ABC poems, a form where the goal of each poem is to use words starting with each letter of the alphabet in order. You can find some entertaining and impressive examples here.

Some poets, however, have flipped the puzzle poem on its head by treating the poems like puzzles. The folks at UVA’s Puzzle Poetry group utilize Tetris-like puzzle pieces with words on them to assemble poems.

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[Image courtesy of the University of Virginia.]

The concept dates back to 2017, a creation of Neal Curtis and Brad Pasanek, serving as a way to both explore and deconstruct the art of poetry itself by making a puzzle out of it.

It’s a very cool idea, reminiscent of how magnetic poetry sets allow you to turn your fridge into a canvas by assembling and reworking the order of the various available words.

Puzzles by their very nature are about finding a solution, bringing order out of chaos, whether it’s assembling puzzle pieces, answering devious crossword clues to fill a grid, or unraveling a tricky brain teaser that pushes you to think in a different way.

And since poetry is all about expressing truths in a personal way, it makes a lovely sort of sense that puzzly techniques would intertwine with this thoughtful, elusive form of art.


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How to Get Started in Cryptic Crosswords

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[Image courtesy of Amazon. The Times Cryptic Crossword Book.]

On Twitter yesterday, Oliver Roeder from FiveThirtyEight asked, “If one wanted to learn/practice solving cryptic crosswords, with what puzzles should one begin?”

Most of the replies mentioned different cryptic crossword outlets to try out, like The Nation, Harper’s Magazine, and The UK Times Quick Cryptic Crossword Book. The Nation in particular was recommended as a good starter cryptic.

Monthly offerings from constructors like Andrew Ries and Cox & Rathvon were also mentioned, though I would add Patrick Berry’s Son of the Crypt cryptic collection to the list of suggestions. (I would normally also recommend The Guardian because of their great cryptics, but they’re pretty tough, particularly for beginners.)

This, of course, presumes that Roeder meant which cryptic puzzles one should start with.

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[Image courtesy of The New European.]

It occurred to me that he might be asking what OTHER puzzles are good for beefing up your cryptic crossword solving game.

Given the different kinds of clues used in cryptic crosswords, I have a few suggestions.

1. Anagram puzzle

Anagrams are a staple of cryptic cluing, and any puzzler looking to get into cryptics should have some facility with them. There are plenty of ways to practice — the Jumble, Anagram Magic Square and other puzzles from our friends at Penny Dell Puzzles, and even Bananagrams, Words with Friends, or Scrabble will help build your anagram skills.

2. Rebus

Rebus puzzles are all about adding and subtracting letters to form words or phrases, and there’s plenty of that in cryptic cluing. This is a good way to get used to breaking down longer words into abbreviations, anagrams, and so on in order to puzzle out the answer to a cryptic clue.

3. Brain teaser/riddle

Many cryptic clues rely on words with multiple meanings, as well as words that serve as both instructions and hints. Brain teasers and riddles employ similar wordplay, and they can help you develop a proclivity for looking at words from a new point of view.

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[Image courtesy of Eastern Daily Press.]

Of course, if you want help learning to decipher the many variations on cryptic crossword cluing that you’ll encounter, there are some great resources out there.

Penny Dell Puzzles has a PDF containing examples of the most common cluing tricks, and you can bolster that with similar insights from Wikipedia and The Nation.

If you’re looking for deeper dives into all sorts of cryptic cluing, my one-stop shop for insight is The Guardian’s crossword blog. They offer regular features breaking down various kinds of cryptic clues.

In the last few weeks alone, they’ve covered cycling clues, “stuttering” in clues, and how the points of the compass can be used in cluing, and there are dozens of similarly illuminating posts in their archive.

It’s a terrific resource for newbie cryptic solvers and established puzzlers alike.

And it’s worth getting into cryptic crosswords, if only for the occasional subversive little Easter egg like this one from yesterday’s The Guardian cryptic:

brexit

Did I miss any resources or outlets for great cryptic crosswords? Let me know in the comments section below! I’d love to hear from you!


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How to Make a Crossword: Cluing Advice

After constructing the grid, cluing is the most daunting task facing a constructor. Constructor Robin Stears readily confessed, “Writing the clues is the most time-consuming process of puzzle construction, especially for common words that appear in many puzzles. Crossword Compiler allows me to keep a database of words and clues, but I try not to use the same clue twice.”

Constructor and puzzle archivist David Steinberg: “When writing clues, it’s important to strike a balance between original clues and clues that exist in databases. For entries that appear frequently and/or have a limited number of cluing possibilities, such as ALAI (traditionally clued as [Jai ___]), I feel it’s best to go with a database clue. In the case of ALAI, almost all clever cluing possibilities, such as [Half-court game?], have been exhausted.

“Original clues for such an entry often end up feeling strained or wordy and/or rely on a less common usage of a word, which solvers generally don’t appreciate as much.”

Constructor Ian Livengood also stressed finding a balance between creativity and accessibility: “Keep you clues relatively short, especially if you’re creating puzzles for outlets with strict line counts. But don’t just use one-line clues for everything, since that will bore solvers. Try to toss in some fun trivia, wordplay, etc. that seems interesting to solvers.

“And, like filling the grid, make sure you clues are appropriate for the intended day of the week. [High line?] for ELEVATED TRAIN works well for a tough puzzle, but would only fluster new solvers in a Monday puzzle. [Above-the-street transportation] is easier and more welcome for beginners.”

Constructor Robin Stears reminds you to utilize the many resources available: “Personally, I use a number of websites to help me write clues: Wikipedia, Wolfram Alpha, The Free Dictionary, Crossword Tracker, Internet Movie Database, Reddit, and Google. In the old days, I used to spend hours in the reference section of the library, but nowadays, it’s much easier to search the Internet. There’s a wikia for almost everything.”

When it comes to determining the difficulty of a clue, constructor Doug Peterson suggests doing a bit of research: “My best advice is to solve lots and lots of puzzles of varying levels of difficulty. It won’t take long for you to get a feel for what types of clues are found in what types of puzzles. And it’s OK to have a few hard clues on a Monday or a Tuesday. Just make sure their answers don’t cross.”

Los Angeles Times Crossword Editor Rich Norris and assistant Patti Varol touched on how cluing can set a puzzle’s difficulty: “With the right grid, a talented, creative editor can transform an expert-level puzzle into one that any newbie can solve (and that an expert would still enjoy). Every editor has his or her own ‘familiarity test,’ which is the educated guess we make to determine if a clue or an entry will resonate with or be recognized by our solvers.

“It’s subjective, sure, but there are also pretty straightforward guidelines. If an entry is not in most major dictionaries and only gets 10K or so Google hits, well, that’s pretty obscure and probably shouldn’t be used at all. The editor needs to know the solving audience and needs to know how to balance current and older pop culture references -– much of what the Millennials find easy will completely baffle the Boomer solvers, and vice versa.”

They were also kind enough to offer an example of how cluing a given word can affect clue difficulty:

“Take the entry SMITH, for example. Will SMITH and Ozzie SMITH are arguably more famous than Patti SMITH, who is arguably more famous than Matt SMITH. Plain clues — [Actor Will], [Baseballer Ozzie], [Singer Patti], [Actor Matt] – tend to be hard. Ozzie is the exception in this example, because Ozzie is such an unusual name in baseball that even nonfans are likely to word-associate their way to the correct answer.

“What information is added to those semi-naked clues is key. Thus, [“Men In Black“ actor Will] is an easy clue for SMITH because “Men In Black” is a popular movie franchise and having the first name narrows down the potential answers. Compare [“Just Kids” memoirist Patti]. Even with that first name in the clue, it’s a tough clue — more solvers know Patti Smith as a singer than as a writer, and the title of her memoir doesn’t even hint at her singing career. For a nonfan, [Hall of famer shortstop Ozzie] is about the same difficulty as [Baseballer Ozzie], but, alas, it’s likely only a Doctor Who fan will recognize any clue for Matt SMITH.

“There’s Kate SMITH, and Bessie SMITH, and Agent SMITH of the Matrix movies. Each one resonates with a different solver. The easiest kind of clue for SMITH is, of course, the generic kind: [Common alias] or [Popular surname] or [Suffix with lock or gun]. And then there’s the fun, inferable kind: [Surname that comes from an occupational suffix].”