How Far Crosswords Have Come (and How Much Farther They Have to Go)

Problem-solving-crossword

The battle to decrease gender inequality and increase representation in crosswords is ongoing. More people than ever are speaking up on behalf of women, people of color, LGBTQIA+ constructors, and non-binary individuals when it comes to who is constructing the puzzles (and being properly credited), as well as how members of those groups are represented by current grid entries and cluing.

Natan Last is one of many people standing up to make crosswords better, more inclusive, and more emblematic of a richer melting pot of solvers and constructors. In a recent article in The Atlantic, Last neatly encapsulates both the movement for a more inclusive crossword publishing community and the many obstacles that stand in its way.

He starts with a single example — a debut puzzle by a female constructor, Sally Hoelscher — and the conversation that ensued when one puzzle aficionado asked about the ratio of women’s names to men’s names in the puzzle.

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[Image courtesy of XWordInfo.]

Originally there were no men’s names. One entry was edited in. And a discussion about parity in puzzles followed.

Last uses this example as a springboard into the greater argument about how modern crossword editing (and editors) discriminate through gatekeeping under the guise of what’s “familiar” or “obscure.”

From the article:

Constructors constantly argue with editors that their culture is puzzle-worthy, only to hear feedback greased by bias, and occasionally outright sexism or racism. (Publications are anonymized in the editor feedback that follows.) MARIE KONDO wouldn’t be familiar enough “to most solvers, especially with that unusual last name.” GAY EROTICA is an “envelope-pusher that risks solver reactions.” (According to XWord Info, a blog that tracks crossword statistics, EROTICA has appeared in the New York Times puzzle, as one example, more than 40 times since 1950.) BLACK GIRLS ROCK “might elicit unfavorable responses.” FLAVOR FLAV, in a puzzle I wrote, earned a minus sign.

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[Image courtesy of CNBC.]

But what is kept out is only part of the problem, of course. Last goes on to mention many of the same insensitive and offensive clues and entries we (and other outlets) have cited in the past.

He caps off this part of the article by highlighting Will Shortz’s responses to these troubling questions:

But when prodded about insensitive edits, he denied them, adding: “If a puzzlemaker is unhappy with our style of editing, then they should send their work elsewhere (or publish it themselves to keep complete control).”

A pretty damning statement, to be sure.

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Turning away from the problems represented by the most famous daily crossword in the world, Last pivots, turning a spotlight on those who are helping turn the tide in terms of representation and inclusivity.

He shouts-out well-respected and innovative editors like Erik Agard (of USA Today‘s crossword), David Steinberg (of Andrew McMeel Universal’s Puzzles and Games division), and Liz Maynes-Aminzade (of The New Yorker crossword), heaping praise on a fresh constructor-editor partnership that encourages new voices and greater diversity of content.

Last also mentions worthy projects like the Inkubator, Women of Letters, and Queer Qrosswords, as well as the Women’s March crossword movement inspired by the work of Rebecca Falcon.

Across the entire article, Last highlights a system problem in crosswords, challenges those responsible to do better, and praises those who are working for the greater good. And he does so in about a dozen paragraphs. That’s all. It’s efficiency and flow worthy of a top-notch constructor.

You should read it for yourself. You won’t be disappointed.


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PN Review: Crossword Mysteries: Abracadaver

On March 10th, 2019, Crossword Mysteries: A Puzzle to Die For debuted, introducing the puzzle world (and the mystery world) to crossword editor Tess Harper and detective Logan O’Connor, as the unlikely duo unraveled the murder of an art dealer with a crossword puzzle in his pocket.

During the final commercial break, three more Crossword Mysteries films were announced for the fall. The second Crossword Mysteries film — Proposing Murder — debuted on October 13th. But the third film, originally scheduled to air one week later, was suddenly pushed to January of this year to make room for more Christmas movies.

In October.

But I digress.

This past Sunday, the third Crossword Mysteries film finally debuted on Hallmark Movies and Mysteries.

Its title? Abracadaver.

I’ll recap the story below, and then give my thoughts on the whole endeavor. If you’d like to read my conclusions but skip the full recap, scroll down to the next solid black line.

Ready? Okay, let’s do this!


FILM RECAP

The show opens at the Magic Manor, a combination magic school and performance space. We see a gun being prepared for a performance. A woman aims it through a sheet of glass at the magician, who stands with his arms spread wide and his mouth open.

While crossword editor Tess wanders around the mansion, admiring old posters, she hears the gunshot.

Cue the credits, introducing the main characters and framing them with crossword grids and clues, setting the aesthetic for the film.

Tess peeks in on the rehearsal in time to see the magician — the Amazing Alisdair — remove the bullet from his mouth, no worse for wear. Tess is then chastised for sneaking a look at another magician’s rehearsal. Apparently Tess is a student of magic in her voluminous free time.

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The next day, Tess is hard at work on a puzzle with random theme-appropriate words strewn throughout the grid: MAGIC, WAND, etc. She writes an incredibly bland clue for FRENCH DROP, a classic sleight of hand technique.

We then meet Reed, the new crime reporter for The Sentinel, who will be sharing a desk with Tess. (Apparently, he’s been hired to replace the crime reporter murdered in the first Crossword Mysteries film, which was months ago at this point. Has no one been covering the crime beat in New York City since then?)

Naturally, he is instantly charmed by our friendly neighborhood crossword editor, as all people are everywhere. Ask any puzzle editor. We are beloved figures.

Tess’s assistant, Josephine, mentions Tess’s upcoming birthday dinner at the Magic Manor. As it turns out, she’s taking magic classes as research for a puzzle she’s working on. (This checks out. I once disappeared for five years in the mountains of Tibet while doing research for a puzzle on sasquatches.)

Tess invites Reed to join in the magical birthday festivities. Reed seems nice, in that his jerkier tendencies appear unintentional.

We cut to the Magic Manor, where Tess arrives for class. They do sleight of hand practice and play with disappearing foam balls. The instructor talks to a testy Amazing Alisdair, and the words “no more favors” can be overheard. By Tess. Nosy nosy Tess.

Later, Alisdair is testy with his assistant Bianca before the show. A large steamer trunk is delivered.

At dinner in the performance area of the Magic Manor, Tess chats with her Aunt Candace and her assistant Josephine, and they mention fundraising efforts for the Manor’s upcoming museum of magic. Detective Logan O’Connor shows up, and Tess is surprised. Aunt Candace is playing matchmaker. He gives her a charm bracelet with a little crossword charm on it.

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Reed arrives with flowers for Tess, and there is instantly dude tension between Reed and Logan over the pretty girl. Thankfully, the performance is starting soon and we can leave the forced love triangle behind for a bit.

Backstage, Bianca brings a drink to Amazing Alisdair. Onstage, the emcee mentions the Magic Manor used to be a speakeasy. (I am instantly on alert for secret passages from here on out.)

As Amazing Alisdair does his introduction, the camera lingers on a nearby table, where Suspicious Man and Dude Wearing Sunglasses Inside are sitting. Amazing Alisdair asks for a volunteer, pointedly ignoring Suspicious Man’s raised hand and choosing Josephine instead.

He does some sleight of hand with her watch. Tess, the magic student, asks how they do that. She is clearly a bad magic student.

Amazing Alisdair leans over in a worrying manner after helping Josephine down from the stage, as if winded or fatigued. He then grabs the gun, and prepares for the big illusion: the Bullet Catch. Tess is invited onstage to mark the bullet, which she labels with her initials.

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Bianca and Amazing Alisdair prepare for the Bullet Catch. His hand shakes while he loads the gun. Bianca fires, the glass shatters, and Alisdair is left laying on the ground. Suspicious Man and Dude Wearing Sunglasses Inside immediately bolt for the exit, as innocent people are wont to do. Logan then stands up, calls in the crime, identifies himself as a cop, and gets everyone to wait outside while he secures the scene.

A Good Samaritan doctor checks on Alisdair, but he’s dead. Logan and the doctor can’t find a bullet wound.

Suddenly, the lights go out as Logan finds a bullet on the ground nearby.

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The assembled guests loiter around the Magic Manor. Aunt Candace tries to comfort the shaken Bianca. Logan’s partner Winston shows up to investigate the murder.

Logan talks to Bianca, and she mentions the drink before the show, as well as Alisdair’s hand shaking. Bianca asks to go to her dressing room, and when she and Winston arrive, the room has been broken into and ransacked. Keen-eyed viewers notice there’s no sign of the steamer trunk.

The doctor walks around looking suspicious. The emcee, Rocco, also paces about nervously.

Logan talks to Tess about her time at the Magic Manor. She’s been taking classes for a few weeks, and mentions the exchange between Cormac (her instructor) and Amazing Alisdair. Alisdair wanted a favor. Cormac agreed, but said it was the last time. Tess mentions Alisdair’s weird lean and sweatiness. Logan sends her home, and asks her not to investigate, then wishes her a happy birthday.

Naturally, Tess ignores his wishes immediately and for no apparent reason follows a woman in a sparkly dress upstairs. And all around the manor. But then loses her in a corridor with no exit.

COMMERCIAL BREAK!

At the police station, Logan and his father (the Chief) discuss the trick, explaining the bullet Logan on the floor and the lack of a bullet wound; the trick didn’t kill Amazing Alisdair. They’re waiting on autopsy to report on heart attack or other possible explanations. Logan gets a call from forensics that there was residue on the bullet from Alisdair’s mouth. He might’ve been poisoned.

At The Sentinel, Reed and Tess chat about the long night. Reed considers taking magic classes at the Manor to get a different angle on the story. Tess dissuades him, but offers to share anything she learns during her classes. He tries to dissuade her in return. Mutual dissuading continues for a bit.

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[Tess in her subtle crossword-pattern jacket.]

Back at the police station, Logan gets details. A fish poison, tetrodotoxin, was found on the bullet. Forensics also found traces of it on Amazing Alisdair’s scotch glass.

At the Magic Manor, Tess and Bianca talk while they clean up the dressing room. Tess discovers that Bianca and Amazing Alisdair used to date. Bianca mentions their bad breakup and namedrops Sinclair, the person who convinced Alisdair to do the Bullet Catch trick.

Logan arrives, and is immediately mad at Tess for investigating. She compares him to “a paper that keeps printing the same puzzle day after day after day.” She comes off as quite a jerk here, but mentions the woman in the sparkly gold dress before she leaves.

Logan talks to Bianca. Turns out Amazing Alisdair brought the scotch with him. Bianca swears no one would want to harm the magician. When the detective checks out Alisdair’s place later, Winston mentions that the lock may have been picked. The repair guy, who has apparently read the script, asks if Alisdair had a secret life.

Logan finds a note being used as a bookmark, callously disregards Alisdair’s efforts to mark said page, and takes the note, which reads “Meet me beyond the stars. XO”

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COMMERCIAL BREAK!

At the police station, we meet Amazing Alisdair’s aunt. They discuss Alisdair’s sister Claire, an anthropologist whom rarely visits. The aunt was surprised to hear Claire was in town. She also mentions that Rocco was threatening to take away Alisdair’s headliner status in exchange for a bigger cut of the profits of his performances at the Magic Manor.

Conveniently, Tess is at the Magic Manor, learning the ball and cup trick from Alisdair’s former partner Cormac. Logan talks to Rocco and gets the list of people with reservations the night of the murder. Tess and Cormac discuss Alisdair’s relationship with the mysterious Sinclair.

She and Logan meet again, and after the appropriate scolding for her constant interference in the investigation, she spills the details about Bianca and Alisdair.

Later, Tess investigates Sinclair through his incredibly annoying website, which employs cryptic clues instead of helpful directions to Sinclair’s workshop. A white rabbit tells Tess to “travel by rail through the looking glass.” Another clue instructs her to “find a good friend. Stop just past where the spirit catches you.”

Tess and Josephine ponder these instructions and come up with Carroll Street subway station as a starting point, and Delavan Street as a destination. (Delavan is apparently an Old English word for friend.)

Tess, wandering alone of course, spots a distillery, “where the spirit catches you” and keeps going, heading down an incredibly sketchy back alley and into a warehouse full of magical claptrap.

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She meets a strange woman who offers to let Tess play with a giant saw blade. Sinclair mentions designing Alisdair’s Bullet Catch mechanism.

At the police station, Logan and Winston try to track down Ann Morrison, who wasn’t on the reservation list, but was present for Alisdair’s death (given that they found her fingerprints at the scene). Her name is in the system because she was present for the explosive death of another magician in Vegas.

COMMERCIAL BREAK!

Logan is suspicious of both Ann Morrison and Alisdair’s sister Claire, both of whom are difficult to locale. While verifying the statements of the Manor’s guests after the murder, Drexler (our Suspicious Man) apparently had a good reason for leaving, and the only curious name left is the Good Samaritan doctor, who hasn’t responded to their inquiries because he’s at a conference.

Logan then talks to Cormac, who is getting Alisdair’s spot now that he’s dead. Cormac claims he was working nightclub security during Alisdair’s performance.

Tess arrives at the Manor and sees Cormac’s poster has replaced Alisdair’s. While talking to Tess, Bianca realizes the giant steamer trunk that was delivered the night of Alisdair’s murder is missing. This has somehow slipped her mind for days now. Tess and Bianca talk about Alisdair’s love for ballroom dance, before Bianca discusses being nervous about performing Cormac’s sword cabinet trick tonight. She will be assisting the new headliner.

Logan and Tess literally collide at The Sentinel and she mentions the missing steamer trunk. They talk about misdirection and seeing what someone wants you to see. (I suspect at this point, Tess’s boss would want to see a finished crossword.)

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Logan confirms the trunk delivery with security footage and asks Winston to see if he can find when the trunk leaves the building. They also see footage of Drexler (who is some sort of tech billionaire) as he leaves the Magic Manor. Winston is suspicious of Drexler’s excuse for his quick exit. Logan notices that Drexler left the theater, but hung around the Manor for ten minutes before leaving. What was he up to for that ten minutes?

COMMERCIAL BREAK!

A figure dressed in all black, complete with gloved hands, replaces Bianca’s trick handcuffs before the show. DASTARDLY. (It looks like a woman’s walk as the saboteur exits.) Bianca overhears footsteps and investigates, finding a broken vase, then calls Tess. Tess misses the call because she keeps dropping the bracelet Logan gave her. (This will in no way become a plot point later on.)

Bianca leaves a message for Tess and asks her to meet up at intermission. We then cut to Bianca and Cormac performing the sword cabinet illusion as Tess searches the Magic Manor for her. Tess finds the broken vase and the trick handcuffs as Cormac slides the first sword into the cabinet.

Cormac inserts a second sword into the box, and there is an unpleasant sound when he does so. Tess runs onstage and stops him from adding the final sword (which would have gone through Bianca’s heart!) and we hear her screaming for help from inside the box.

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Logan arrests Cormac and talks to Bianca, who confirms that the assailant was wearing high heels. Regarding Cormac’s arrest, I’m kind of with Logan on this one. HOW DOES YOUR CRAPPY TRICK USE REAL SWORDS AND SOMEHOW HINGE SOLELY ON A PAIR OF TRICK HANDCUFFS FOR THE WOMAN’S SURVIVAL?!

Tess and Aunt Candace talk, and Candace mentions a friend of hers had an antique snuffbox stolen during the fundraiser at the Magic Manor. Amazing Alisdair was in attendance, alongside a blonde woman — possibly the woman Tess followed for no reason — and Tess asks her aunt for the guest list from the fundraiser.

Logan stops Drexler and his lackeys, including Dude Wearing Sunglasses, discussing the missing ten minutes from the night of Alisdair’s murder. We also find out a jade bowl of Drexler’s was stolen during a party. Drexler is a smug jerk the whole time, because each Crossword Mysteries film needs an insanely unlikable red herring.

COMMERCIAL BREAK!

Tess is charming a gaggle of police officers at the station when Logan arrives. She mentions the missing snuffbox and ponders whether Alisdair and an accomplice were stealing from the fundraiser during his performance. (She also demonstrates misdirection and sleight of hand for Logan. Logan is charmingly befuddled.)

Tess sees a photocopy of the “beyond the stars” note, and Logan mentions the handwriting isn’t Bianca’s. Tess then looks at Logan’s Pinterest wall of Alisdair Case Details and recognizes Ann Morrison as Sinclair, the woman she met in Red Hook.

Logan visits Sinclair’s workspace, and she says Alisdair had everything he needed for the Bullet Catch trick weeks ago; she seems genuinely surprised that someone tried to kill Bianca. Logan then confirms that Sinclair didn’t send the trunk.

Tess tries to track down the dance studio where Amazing Alisdair and the blonde woman would dance on Sunday nights, and makes a specious connection between the Galaxy Dance Studio and the “beyond the stars” note.

She calls Logan, and they head to the dance studio. AND IT’S TIME FOR WILL SHORTZ’S CAMEO.

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(Logan doesn’t recognize him as the cop from the second film or the table tennis player from the first, so this is meant to be a different character. Perhaps New York City is loaded with Will Shortz lookalikes, and the fourth movie will involve two dozen or more Will Shortz characters as suspects.)

Tess recognizes a painting on the wall from the background of Alisdair’s trophy photo. This is definitely the place.

Logan and Tess dance the tango, and he dips her twice while they banter. The second one is full of swoony romance. He stares at her while she notices a clue: a photo of Alisdair and the blonde woman. Tamara, the owner of the studio — who was dancing with Will — comes over and helps identify the woman. It turns out, she lives upstairs. Convenient!

COMMERCIAL BREAK!

Upstairs, Logan and Tess meet Julia, and Tess pretends to return Julia’s earrings to her as a reason for the meet-cute. Tess spots that Julia has a bag packed and is generally anxious to get rid of them.

The next day at the police station, the Chief is back to his pastry-thieving ways, and we love him for it. John Kapelos is the best.

Logan gives him details on Julia, who is a married pharmacist (and therefore would have access to tetrodotoxin). The Chief asks the very reasonable question of why the married woman would kill Alisdair. Logan suggests that maybe it was her husband instead.

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The Chief mentions that there’s no sign that the trunk left the Magic Manor on the night of the murder, and no sign of it inside the Manor. He suggests they get blueprints of the building. (The Chief, like me, suspects secret passages are afoot!)

At the Manor, Tess is at another class — good lord, are magic classes every single day? — and she asks Rocco about Julia, but he claims not to have seen her on the night of the murder. He then quotes Houdini and says nothing ever vanishes.

At the police station, father and son compare blueprints and discover that the entire basement has been covered up, along with several closets and the exit for that strange hallway Tess saw.

AND SPEAKING OF THAT HALLWAY, Tess is there now, sneaking around and looking for a secret exit by loudly knocking on the walls. Tess is not a subtle human being. Her bracelet falls off — plot point confirmed! — and we await her imminent peril/kidnapping, because why else would the dropped bracelet be a thing?

Tess finds the secret exit, complete with a ladder to the basement. As Logan arrives at the Manor, Tess wanders around the basement, then hides when she sees someone with a flashlight behind her.

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In the hallway, Logan finds Tess’s bracelet just as Tess is grabbed by an armed thug. He ineffectively covers her mouth and her screams can be heard TWO FLOORS ABOVE, THROUGH A WALL, BY LOGAN.

Tess tags the goon in the gut with an elbow as Logan arrives, and he chases the man through the basement, though the thug manages to escape. In the meantime, Tess has found the missing trunk in the basement, empty.

COMMERCIAL BREAK!

Tess arrives at The Sentinel, and Reed mentions that Amazing Alisdair was at the party where Drexler’s jade bowl went missing. Following a tip from Reed, Tess goes to an antiques dealer looking for the jade bowl. He mentions he already sold it. And naturally, she bumps into Logan there. (At this point, he should just LoJack her and follow her around for case-solving convenience.)

They confirm that the goon who attacked her was the one who sold the jade bowl to the dealer. (The dealer, realizing Logan’s a cop, claims he didn’t know the bowl was stolen when he sold it.) Tess and Logan posit that Drexler was at Alisdair’s show because of the theft, and perhaps he spent that missing ten minutes ransacking Bianca’s dressing room looking for it.

At the police station, they review the footage of the trunk delivery and confirm the deliveryman was the same goon who attacked Tess and sold the jade bowl. Cormac’s alibi for the murder checks out. So does Julia’s. Oddly, the Good Samaritan doctor has an alibi as well. Apparently, he was in Seattle the night of the murder. Say what?

Amidst the confusion, the morgue attendant arrives, and he mistakes Julia for Alisdair’s sister Claire, who IDed the body. Logan checks the morgue, and the body labeled Alisdair isn’t actually Alisdair’s body. (Dental records confirm the body is Julia’s husband.)

As Logan gets a warrant to search Julia’s properties, Tess meets with Bianca at the Magic Manor to warn her that Alisdair is still alive. Bianca confesses that she followed Alisdair one night to a place in the Bowery where he met a woman.

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Logan arrives at Julia’s place and Tamara tells him she already left. She mentions she hasn’t seen Julia’s husband since “the fight,” and Logan finds a piece of jade from Drexler’s bowl under the chair.

At the Magic Manor, Tess has another encounter with creepy flickering lights — they must have the same electrician as the college library from Proposing Murder — and gets a jump-scare from Rocco. He gives her a key to pass along to Logan; it’s the key to the trapdoor in the stage floor, which he claims they haven’t used in years.

Tess tries the key, and the trapdoor works perfectly.

FINAL COMMERCIAL BREAK!

Tess explores the secret room, then hides when she hears someone. Only it turns out to be Logan, because of course, they bump into each other forty-nine times a day.

There’s a conveyor belt up to the stage, which they think was used to sneak Alisdair from the stage and swap the body of Julia’s husband onstage in its place while the lights were out.

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While they figure out the plan and how Julia was involved — the steamer trunk most likely contained the body of Julia’s husband — the trapdoor closes and they’re locked in the room. Logan immediately gets frustrated, while Tess smartly realizes that VERY RECENTLY other people got in and out of this room without using the trapdoor, so she goes hunting for secret passages.

She finds marks on the floor where a bookcase has recently moved. The goon from earlier opens the trapdoor again and tries to shoot them, but they’ve already figured out how to open the secret door and escape. He pursues them through the secret passage, but ha-ha! They fooled him by hiding under the conveyor belt, and they head back up through the trapdoor. Looney Tunes-style trickery wins out again!

Back onstage, Logan gets a message that Julia’s phone was last used in the Bowery. With Tess’s help, Logan stops Julia from escaping. A very much alive Amazing Alisdair arrives just as Winston puts Julia in the back of a squad car. Logan uses a completely unnecessary bit of subterfuge to sneak up on Alisdair and pull a gun on him. Alisdair is captured, but not before Logan fires off a few one-liners.

In an interrogation room, Logan interviews the hired goon (Julia’s cousin), Julia, and Alisdair, filling in the little bits of pieces of how they all met.

Tess arrives at the Magic Manor, bringing flowers to Bianca, who is headlining tonight’s show. A happy ending for the nearly-sworded former assistant!

Cormac and Sinclair attend the show, along with Logan, Tess, Reed, and Aunt Candace.

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After the show, Logan quotes Reed’s article about Tess cracking the case. Reed conveniently vanishes so Tess and Logan can flirt and grab a late bite to eat together. Awww.

The End.


CONCLUSION

Abracadaver is a bit of a mixed bag. On one hand, it’s easily the twistiest edition of the Crossword Mysteries yet, with fake deaths, secret rooms, and all sorts of chicanery involved. The plot moves briskly and all the magical accoutrements are great window dressing for the film.

There are a few glaring plot holes, like the fake doctor, who is never explained. How did Tess know to follow one random well-dressed woman? Why the attempt on Bianca’s life? Were they trying to frame Cormac for both Bianca and Alisdair? Why is Bianca headlining? Cormac was in the crowd, so he’s not still in jail. Did he feel bad for nearly killing her and that’s how she ended up headliner?

These detracted ever-so-slightly from my enjoyment of the film, simply because I enjoy a tightly-crafted mystery, and this one had more than a few lingering threads.

But the movie is harmless fun, a ridiculous and cheesy romp that will no doubt satisfy Hallmark’s many mystery fans.

But it’s also the least puzzly of the three films. I mean, other than the brief glimpse of Tess’s magic puzzle in progress — oof — the only puzzly endeavor is Tess and Josephine unraveling Sinclair’s peculiar directional riddle. Other than that, there’s no puzzling to be had.

Tess didn’t even get to employ her sleight of hand to steal a clue or something. That’s a real missed opportunity, given the subject matter.

Three episodes in, Tess remains very likable, despite her lackadaisical approach to puzzling. And Logan shined here as both love interest and detective. He was charming, protective of Tess, and generally effective as a crimefighter. Very little of the smug condescending character from the first film remains. Instead, we root for him to get the bad guy and the girl.

And, of course, John Kapelos shined as the police chief and father figure of the film, funny and distracting in equal measure.

It’s light, frothy, slightly murdery fun. Plus dancing Will Shortz. How can you go wrong?


Did you watch the film? What did you think? Let us know in the comments section below! We’d love to hear from you.

And hey, if you missed Sunday’s airing of Abracadaver, worry not. It’s airing again tonight at 9 PM Eastern, and there will be a Crossword Mysteries mini-marathon on Sunday, January 12th, with A Puzzle to Die For at 2 PM, Proposing Murder at 4 PM, and Abracadaver at 6 PM.


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PN Review: Crossword Mysteries: Proposing Murder

In January of 2018, it was announced that Hallmark Movies and Mysteries would be teaming up with Will Shortz of The New York Times Crossword to produce a mystery film with crosswords at the heart of the story.

On March 10th, 2019, Crossword Mysteries: A Puzzle to Die For debuted, introducing the puzzle world (and the mystery world) to crossword editor Tess Harper and detective Logan O’Connor, as the unlikely duo unraveled the murder of an art dealer with a crossword puzzle in his pocket.

During the final commercial break, three more Crossword Mysteries films were announced for October. (For reasons yet unexplained, that number has shrunk to two over the intervening months.)

This past Sunday, the second Crossword Mysteries film debuted on Hallmark Movies and Mysteries.

Its title? Proposing Murder.

I’ll recap the story below, and then give my thoughts on the whole endeavor. If you’d like to read my conclusions but skip the spoilers, scroll down to the next solid black line.

Ready? Okay, let’s do this!


FILM RECAP

The show opens with a lovely little introductory montage with the characters framed by crossword clues and grids. It’s a nice touch (and a sign that the network expects to continue with these).

An apartment door opens, and a young man picks up his newspaper, smiling at the crossword inside. He carefully sets it down with an elegant table setting for brunch, then answers a knock at the door. Everything goes white.

We cut to detective Logan O’Connor standing over the body.

A title card flashes on the screen:

FIVE DAYS EARLIER

Tess chats with her assistant Josephine about Josephine’s cousin, a new intern at the paper. She then bumps into Detective O’Connor for a lovely little meet-awkward. It’s been two months since they’ve seen each other.

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Logan is running around doing errands for his sister’s wedding. The sister, Angela, is also there, immediately making things more awkward, and asking if Tess can get a photo of the couple into the paper (alongside the usual wedding announcement). Tess makes no promises, but says she’ll see what she can do.

She then shares weird wedding trivia with Logan, and he and his sister leave. Oh, puzzle people and their trivia. (That part’s actually true.)

Tess meets the intern, who is (of course) a huge fan of her puzzle. He will be helping with research, apparently. Tess then solicits help for her puzzle, looking for a romantic 9-letter word, second letter H. Her assistant suggests CHRISTMAS (which simply has to be a tongue-in-cheek reference to Hallmark’s never-ending barrage of Christmas programming).

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Also, it must be stated, nobody actually constructs puzzles this way.

Tess’s puzzlesmithing is then interrupted by a call from a Professor Clark.

We cut to her and Professor Lyle Clark, who it turns out is the victim we saw in the opening sequence. Oh Tess, is every casual acquaintance of yours bound to be murdered? We can only hope.

He’s using one of her crosswords as a bookmark. She comments on that. This is in no way an important detail for later.

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Lyle brings Tess (and the audience up to speed): he’s a college professor, he’s got tenure now, and he has a knack for codes. (Tess namedrops Navajo codetalkers and World War II ciphers.) He’s also reading a book on the Beale papers.

Lyle talks about the big distraction in his life — his girlfriend Abby — and it turns out Tess’s crossword is not only solved by every human being on the planet, but it’s also a romantic talisman. You see, Lyle and Abby were both solving Tess’s puzzle, and that’s how they met. They do her puzzle together over brunch every Sunday. Awww.

He’s going to propose to Abby, showing off a massive diamond ring, and he asks Tess to hide his marriage proposal to Abby in her upcoming puzzle. Tess happily agrees.

We cut back to her working on the puzzle and explaining the concept to the new intern. She clues ABBY “Free with her advice” (which is terrible cluing) and the word WILL “Shakespeare, to friends,” and “Words that have a nice ring to them” for MARRY ME. The idea is to spell out ABBY, WILL YOU MARRY ME?

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[It’s so romantic. “LOAM ABBY WILL YOU VINYL CONTENTMENT.”]

FIVE DAYS LATER

Back at the murder scene, the Chief arrives, avoiding wedding planning with a convenient murder. (The Chief is also Logan’s father, for those who didn’t see the first Crossword Mysteries film.)

The victim has been stabbed. There’s no surveillance footage, no sign of the murder weapon, and no sign of forced entry. His girlfriend Abby found him, unfortunately.

We also meet Logan’s new partner, detective Winston Sams. He calls him “Rookie” and “Rook” because he’s charmingly condescending, I suppose. Winston notices one of the chef’s knives from the block is missing. Logan has him check the victim’s financials while he heads down to the hospital to question Abby.

At the hospital, Logan chats with the obviously upset Abby.

She hadn’t seen Lyle since the night before at a faculty party. She was going to meet him for brunch to solve the crossword. She found the door open and his body on the floor. Abby mentions that Lyle has been getting threats in the mail for months. (He said they were from his ex-girlfriend Bethany.) He always threw them the threatening notes away, but Abby kept one, which she promises to give Logan.

She also mentions a Professor Emory who was arguing with Lyle at the faculty party the night before. Lyle beat him out for tenure the previous month.

Back at the police station, the plot… well, doesn’t thicken. Simmers? Let’s go with the plot simmers.

The girlfriend’s alibi checked out. There was apparently a struggle between the victim and the killer, but the tip of the knife was embedded in his body. They’re waiting on more details from forensics.

Logan’s partner finds a note with the initials TH and a phone number in the victim’s wallet. He calls it, and surprise surprise, it’s Tess who answers.

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She mentions the ring, but Logan says they didn’t find the ring at the crime scene. They all note how expensive the ring would’ve been for a college professor. Logan also recalls that Abby said the victim had been looking at property in Connecticut, which would be costly. But the victim’s record seems clean, save for a single parking ticket.

Tess confirms his sister’s photo will be in the paper before she hangs up. Logan and Winston discuss the ex-girlfriend, a surgeon, who is on the suspect list.

Cut to Tess and Aunt Candace (who knows simply EVERYBODY who’s ANYBODY) walking the streets of New York. Tess mentions that Lyle told her he hadn’t been researching anything lately, and ponders whether Lyle had a secret that cost him his life.

COMMERCIAL BREAK!

We get an ad for next week’s new edition of Crossword Mysteries. It’s titled Abracadaver. We cross our fingers for a David Kwong cameo.

COMMERCIAL BREAK CONTINUES!

Logan is talking to the victim’s mother. She talks about her childhood in Connecticut and how she wanted that idyllic life for Lyle. His grandfather was a World War II codebreaker, which sparked Lyle’s interest in the field of codes and ciphers. After she mentions Lyle always rooting around in the basement, Logan heads down there himself. He shines the light at the camera A LOT, which is atmospheric, yet annoying. He takes a picture of a military uniform hanging up in the corner.

Tess, meanwhile, is reading an article Lyle wrote about WWII operational codenames like Neptune. (Surprisingly, she doesn’t make the crossword connection there.) Her assistant reminds her that the Sunday puzzle is due, because Tess always has to be reminded to do her job. She decides to make it World War II-themed as a tribute to her friend, then heads off to do some research.

Tess heads to the library at Lyle’s college to look up his research on codebreaking. Along the way, she meets Clayton, who worked with him and helped with his research. He immediately identifies her as the famous crossword editor, because in this universe, “crossword editor” is just below “rock star” in terms of familiarity and name-recognition.

The assistant mentions that Lyle had just driven back from Connecticut before the faculty party. He had gone up there a lot recently, interviewing WWII vets. (He was also lying about his teaching schedule, only teaching one class instead of the many Tess thought.) The dude acts suspiciously, and the lights ominously click on and off behind them, thanks to motion sensors.

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Logan and his plot-exposition-device of a partner talk, confirming that there’s no record of a ring purchase in the victim’s bank account. No unexpected DNA or prints at the murder scene either.

Logan and Tess then have one of their classic meet-randomly-in-the-same-place run-ins. He asks her for a 7-letter word for “going where one shouldn’t”. She offers INTRUDE — which is not the same verb tense, COME ON, TESS — and they banter about his crossword skills. He tries to usher her off-campus, but she dangles the information she got from Lyle’s TA, and Logan folds like a pamphlet.

Tess mentions Lyle’s secret trip to Connecticut, and explains that he had a form of night blindness that made driving at night dangerous. He then shares that Abby said Lyle had been going to Connecticut on house-hunting excursions. She also mentions the scheduling lie.

Finally managing to send Tess on her way, Logan then gives her the exasperated “oh, her” double take as she walks off.

COMMERCIAL BREAK!

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On campus, Logan sits in on a college class. Christina Blake is the guest lecturer, an expert on antique books, and Logan talks to Professor Emory Nelson, who acts like the argument he and Lyle had at the faculty party was just animated debate. He offers an alibi for the time of the murder, a pancake breakfast covered in the school newspaper.

Logan then returns to the crime scene, noticing a can of beef stew in the cabinet and realizing that Lyle claimed he was a vegan. (Though he said that to Tess. I don’t recall her telling Logan this.) Inside the can is the wedding ring and a folded note, containing a series of numbers and dashes. It is quite obviously an encoded message.

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(Naturally, if I was trying to hide something from my vegan girlfriend, the fake can of beef stew in the front of the kitchen cabinet would be my first choice for a hiding spot.)

Back at the police station, Logan has Tess confirm that the ring is the same one Lyle showed her. The chief then suggests Logan show her the mysterious page of numbers. Logan thinks they’re bank account numbers, but Tess thinks it’s a code, because she’s not an idiot. When Logan tells her she can’t have a copy of the numbers, she tries to memorize them in front of him, before he folds like a lawn chair and gets her a copy of the codes.

At the hospital, Logan tries to talk to Bethany, the surgeon ex-girlfriend. She’s abrupt and bitter about moving to NY for Lyle, then getting dumped, and casually, bitterly mentions that Lyle was engaged just a year later. Logan points out that the proposal-to-be wasn’t common knowledge, and she replies that he proposed in the crossword. (You know, the crossword everyone knows about. Duh.)

The farm in Connecticut comes up again before she leaves. After she walks off, Logan manages to nab her water bottle. Detective work.

COMMERCIAL BREAK!

Tess has the intern researching high-end ceramic knives (like the one Logan’s partner accidentally mentioned), and he points out they’re used by chefs and scuba divers.

I immediately get my hopes up for an underwater knife fight scene.

I will be disappointed.

Logan and Tess bump into each other again at the jeweler’s. She drops more wedding trivia on him and then pretends they’re an item as they talk to a store employee. Logan confirms Lyle’s ring wasn’t purchased there. The jewelry store employee says that the diamond in Lyle’s ring is older, probably a museum piece. Then Tess tries to extort a diamond stickpin out of Logan. Hilarity!

Back at the paper, Tess has the intern working on the page of codes — though he’s comparing them to social security numbers and other numbers, instead of looking at them as an encoded message — and Tess remembers that Lyle was carrying a book about the Beale papers. They quickly namedrop the concept of book ciphers.

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At the police station, Tess explains book ciphers to Logan and the chief (and the audience). Angela, the sister, shows up (she and the chief have to practice for the father-daughter dance) and the sister not-so-subtly mentions Logan is dateless for the wedding.

At the college library, Tess tries to get the librarian to tell her what books Lyle had been taking out, but the librarian rightly points out that such information is private. Tess responds by stealing a staff member access card and sneaking into a restricted area, getting a look at Lyle’s last three checkouts, all books on Enigma and WWII codes.

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Back in the ominous stacks, Tess is book-hunting, looking for a clue by rifling through pages, and finds a receipt pointing to Heirloom Books for a book costing $300. (Ah, the “anything as a bookmark” comment from earlier comes home to roost.)

She calls Logan and leaves a voicemail explaining what she’s found, then spots Lyle’s TA and his girlfriend Abby together at a picnic table. She takes a picture before leaving.

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COMMERCIAL BREAK!

At Heirloom Books, Tess tries to find another copy of the book Lyle purchased, a collection of children’s stories. Christina, the guest lecturer from earlier, also owns the bookstore; Tess gives her a business card, asking to be contacted when Christina finds a copy of the book, and then she mentions how much work doing the crossword for The Sentinel is.

Seriously, Tess? You are NEVER there. I’m going to ask Will Shortz, Evan Birnholz, Mike Shenk, David Steinberg, Patti Varol, and Rich Norris how much free time they have to solve murders.

At the police station, Logan discusses the photo of Abby and Clayton that Tess sent him, and Detective Winston says Bethany called Lyle five times the day of the murder. He also mentions that Lyle’s mother, who had been facing foreclosure, suddenly had her mortgage paid off.

Tess arrives, having partially decoded the page of numbers using pages of the children’s book she was able to find online. (Conveniently, she gets words like JEWELS and BURIED, instead of lots of THE, AND, and -ING suffixes.)

It’s a letter from Lyle’s grandfather about caches of jewelry buried around the old farm in Connecticut. Logan sincerely tells her she did a good job on the codebreaking, then they have another petty back-and-forth about her taking a picture of Lyle’s grandfather’s uniform before Logan folds like a cheap suit.

Tess walks with Aunt Candace, who of course is attending Angela’s wedding (because she knows EVERYBODY) and mentions Logan’s datelessness. Tess doubts Lyle’s girlfriend, and makes a plan to surveil Abby. Aunt Candace points out she’s putting herself in harm’s way. So Tess ropes Aunt Candace into joining her.

I was right. Tess will be the death of everyone around her.

COMMERCIAL BREAK!

At Heirloom Books, Christina explains that Lyle had been throwing her odd jobs over the years, helping her cover the costs of maintaining the bookstore. She mentions that Lyle told her about the threatening notes he believed were from his ex, and then says she was working at the bookstore at the time of the murder.

Tess and the intern determine that the Fighting Badgers — the group represented by the patch on the grandfather’s uniform — were stationed near a castle in Europe where a bunch of jewels went missing. Logan is planning to go up there, and Tess wants to go. Logan rightly asks if she has work to do, and she promises to do it in the car during the ride up to Connecticut. Logan folds like an origami swan.

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We then get our Will Shortz sighting, as Tess asks for a clue for GOLD, and policeman Will offers “what some hearts are made of”.

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(She apparently doesn’t recognize him from their table tennis-centric meeting in the first film. This raises the question of whether he’s the same character or not. If not, then I look forward to another random Stan Lee-like cameo next week. If he is the same character, why didn’t Logan recognize him as another cop from the same precinct in the first film?)

During the ride up to CT, she helps Logan with his toast. They talk weddings and Tess’s farmgirl past. It’s a nice moment in a series where cutesy antagonism usually runs roughshod over the character beats.

At the old farmhouse, the current owner mentions chasing off two men who were digging a hole. He mentions the barley in the field, which sticks tenaciously to Logan’s clothes. (Hello, second bit of important detail!) When Logan shows him pictures of suspects, he confirms that it was Lyle and his TA Clayton digging the hole, but mentions that someone else had been snooping around the farm as well.

Back in NY, as Logan is dropping Tess off, she gets a call from someone about the children’s book. At the police station, the chief tells Logan that forensics found DNA on the envelope the threat was sent in.

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The chief notices that Logan didn’t go to Connecticut alone, and then mentions Logan’s datelessness for the wedding. Logan and his partner ponder how Lyle would’ve fenced the jewels if he found them.

Tess is back on the college campus, passing a film crew as she heads for the library. But the librarian can’t find the book; she clearly wasn’t the one who called Tess.

Tess goes hunting in the stacks for the book anyway, because we were promised ominous stacks and they are going to give us ominous stacks.

As Tess book-hunts, she hears someone stalking around, and the assailant keeps pushing books at her from the other side of the shelves. Panicked, she runs around the shelves lost, and narrowly avoids getting an entire bookcase dumped on her.

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COMMERCIAL BREAK!

Logan is with Tess at the university, admonishing her for getting involved in the murder case, before begrudgingly confirming that a burner phone was used to call her. They don’t know who tried to scare/hurt her.

At the station, Winston has an idea about how Lyle fenced some of the jewels. A parking ticket points toward a jeweler in Long Island, but the obviously shifty fellow claims he didn’t buy anything from Lyle.

At one of Abby’s cooking classes, Tess and Aunt Candace are taking notes. As Tess and Abby chat — and the crossword comes up, of course — Abby mentions she hadn’t left the house since Lyle’s death (which is a lie, the photo Tess took of Abby and Clayton proves that). Tess uses her aunt as a distraction to bag one of Abby’s knives and hide it in her purse. Given that it was the knife Abby had JUST been using, there’s obviously no way she’d notice it was missing. Tess is a mastermind.

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Tess brings the knife to Logan, who is understandably furious that Tess endangered herself AND potentially contaminated evidence. Winston interrupts, mentioning wire transfers involving an account that traces to Abby AND Clayton, as well as the suspicious jeweler Logan talked to. The wire transfer that paid off Lyle’s mom’s house was probably made in exchange for the jewels. (Meaning that the jeweler technically didn’t lie to Logan about buying the jewels.)

At Lyle’s campus office, Tess adds flowers to an ever-growing pile of notes and offerings, before bumping into Bethany. They talk about Lyle’s love of puzzles. Bethany’s first likable moment as a character is immediately undercut by her assertion that puzzles are for kids and triathlons are for adults.

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Logan talks to Clayton at Lyle’s mom’s house, where the TA is helping load boxes into the moving truck. Logan mentions that Clayton was working during Tess’s attack, but he claims he snuck off for a workout. Logan points out how the meeting with Abby and the trips to CT with Lyle make him look pretty guilty, but Clayton claims he owes his life to Lyle, because Lyle gave him a chance after Clayton made some youthful mistakes.

Clayton mentions the book cipher and the diamonds they dug up, but that there’s a larger cache out there worth millions. He swears that Lyle only wanted a small cut of the jewels, and made Clayton promise to return the rest to the original owners, a European family.

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Clayton explains that he set up the Cayman Islands account with the first cache of jewels they found, and he was meeting with Abby after Lyle’s death to tell her about the money, but she didn’t want it. Lyle thought something might happen to him, because he spotted someone else up at the farm, looking for the jewels.

As he leaves Clayton at the house, he gets a call from Winston, confirming that Bethany’s DNA was on the envelope containing the threats to Lyle.

Back in the city, Logan and Tess talk about Clayton. He also mentions that Abby’s knife doesn’t match the murder weapon. He then runs off after a call, saying there’s been a break in the case.

COMMERCIAL BREAK!

The murder weapon has been found by a jogger, on a jogging trail that Bethany favors. All the evidence points to her.

Logan then makes a stop at the university, asking about film crew permits. Tess, meanwhile, talks to Lyle’s mom. She gets a text that Christina finally has a copy of the children’s book at Heirloom Books, and Tess asks about it. The book, it turns out, was her favorite. That’s why Lyle’s grandfather chose it.

At the police station, Logan tells Winston that Bethany confessed to sending the threats, but not to the murder. He also has the film crew’s footage from that night, and as Tess passes through the frame, she’s being closely followed… by Professor Emory.

Logan meets with Emory, who brushes off Logan’s conjecture and lack of hard evidence, and as Logan leaves, he sees a picture of Emory with Bethany and Christina. Meanwhile, Tess meets with Christina to pick up her book, and Christina shows her a copy of the first crossword puzzle, the word-cross created by Arthur Wynne. It looks like a pristine page copy of the actual printing of The New York World from December 21, 1913.

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As Christina heads off to grab her book, Tess notices barley stuck to a coat on Christina’s coat rack. GASP! She’s been at the farm.

Tess heads toward the door of the shop, and finds it locked. Christina pulls a box cutter on her. Logan has Winston looking up info on Christina, while Tess confirms that Christina has had the book all along.

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Christina is furious that she’d known Lyle all these years, but he didn’t let her in on the secret of the jewels. Between Lyle getting the book from her and asking Emory about unsolved crimes from World War II, she put it together pretty quickly. On the day of the murder, she confronted Lyle about the jewels, but he claimed he was just trying to return them to the rightful owners.

As she backs Tess away from the door with the box cutter, she talks about killing him with one of Abby’s knives and then searching the apartment. But she only found the book, not the cipher. (She took the knife with her in order to frame Bethany.)

She saw the cipher in Tess’s purse earlier and demands it from her, taking her purse and dumping its contents on the floor. She grabs the cipher and locks Tess in the freezer.

FINAL COMMERCIAL BREAK!

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Trapped in the freezer, Tess tries in vain to break the glass with one of the books on the shelves.

Winston confirms that Bethany and Christina were roommates in college, and Logan realizes that Tess was probably on her way to Christina’s bookstore. He heads there himself.

Tess tries her keys on the glass and fails, before remembering the diamond stickpin that she conned Logan into buying for her aunt. She breaks the glass with the diamond and escapes the freezer, just in time for Logan to arrive. Yes, Tess has saved herself, which is a nice change from the previous mystery.

Christina has a 20-minute head start on them, and Logan heads off to catch her. Winston finds out details about her car, and they put out an APB. She’s nabbed fairly quickly. Once Logan arrives, he charges her with the crime, and he asks why she attacked Tess in the library. She says it was Emory’s idea.

Back at the station, Tess and Logan talk about Christina and Emory’s plot. And he finally asks her to be his date to his sister’s wedding.

Cut to the wedding, for much clapping and frivolity, and the chief dancing with Aunt Candace. You sly dog, chief. Logan dances with Tess and there is lots of twirling. He asks if she knows the foxtrot, and she says it’s just like a crossword, “2 down, 1 across.”

And, naturally, the camera drifts upward to reveal the dance floor is a checkerboard… very reminiscent of a crossword grid.

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The end.


CONCLUSION

I know, I know, we never find out if the rest of the jewels are dug up or if that castle-dwelling European family got their jewelry back. We also don’t find out why a book of children’s stories is 440 pages long (according to one of the codes). But other than that, how was the movie?

All in all, I thought the plot was a slight step down from the previous entry in the series. The crime (and how the main puzzle tied into it) was certainly more realistic than the robbery-plans-through-crosswords plot of the first installment.

Both were competently assembled mysteries with lots of small, important details that get followed up on, but the relative dearth of suspects and the nature of the puzzle as the heart of the mystery just felt a little lacking.

And I don’t mean Tess’s proposal puzzle. Which… oof.

I mean, we’re beaten over the head with the fact that the guy was a codebreaking expert. So why is Tess’s intern not researching types of codes? (Also, does he know what a social security number is? They follow a pretty specific pattern that does NOT match the list of codes on the paper.)

I did enjoy that one crime — the murder of Lyle — leads to Tess committing seemingly dozens of crimes. Trespassing, stealing, breaking and entering, coercing a police officer, damaging private property, whatever it’s called when you damage antique books… not to mention neglecting her duties as crossword editor.

Nonetheless, this was a fun watch. It’s ridiculous and cheesy in all the best ways, jam-packed with over-the-top generalizations, and coincidences pile up like unfinished puzzles on Tess’s desk. (Yes, there was the obsessive ex-girlfriend, which is a trope we could all do without, but that filled our Crossword Mysteries quota of cartoonishly obvious red herring suspects.)

Tess remains immensely likable, despite her criminal nature. The detective, meanwhile, grew on me quite a bit. Yes, his constant efforts to keep Tess away from the case seem more and more labored over time, but hopefully that’s all over. Also, I think he laughed more in the last five or ten minutes of the episode than he did in the entire previous installment.

And, of course, John Kapelos shined as the police chief and father figure of the film, funny and distracting in equal measure. Though, sadly, there were no baked goods to be stolen in this one.

It’s light, frothy, slightly murdery fun. No harm in that. (Unless you’re one of Tess’s friends, that is.)

Did you watch the film? What did you think? Will you be watching Abracadaver next weekend? Let us know in the comments section below! We’d love to hear from you.


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How Will Shortz Works

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[Image courtesy of Lifehacker.]

Last week, Lifehacker posted the latest edition of their How I Work series, which takes readers behind the scenes and into the workspaces of all sorts of experts, scientists, creators, and pop culture icons to see how they do what they do.

And New York Times crossword editor Will Shortz stepped into the spotlight to share his average workday and what his job is really like.

It provides an interesting snapshot of a job most people know very little about. (And, sadly, thoroughly debunks the glamorous crime-solving editorial life Lacey Chabert portrayed in A Puzzle to Die For earlier this year.)

Will talks about going through submissions, editing and polishing crosswords, working on clues, interacting with his assistants, and takes us into his workplace itself, including his reliance on book sources over Internet verification. He also namedrops his table tennis club (always table tennis, never ping-pong), and gives a well-deserved shout-out to XWordInfo.com as a world-class database of NYT crossword data.

But there’s one line in particular from the interview that stood out to me, and I suspect it stood out to other puzzlers as well. When discussing the editorial process for each Times-approved crossword, Shortz stated:

“I don’t think any other puzzle in the country goes through such rigorous editing and testing before publication.”

Now, I like Will. I do. I’ve interviewed him, and chatted with him at the American Crossword Puzzle Tournament on more than one occasion. Hell, this year, I purposely lassoed him and pulled him aside so fans could grab photos with him before the tournament started AND still managed to work in a joke or two about the Crossword Mysteries movie.

But, man, there’s putting over your own product, and then there’s just stepping in it.

There are SO MANY great editors in the crossword market today. Off the top of my head, I can mention the editors at The Los Angeles Times, The Chronicle of Higher Edition, The American Values Club, The Universal Crossword, and The Crosswords Club, not to mention special projects like Women of Letters and the Indie 500, all of which provide wonderful, insightful feedback and attention to detail during the editorial process.

Sure, those puzzles might not all get the attention of ten test-solvers before publication, as Will claims each NYT crossword does. But then again, if you ignore those test solvers, as Will did in January when he used the word BEANER in a grid, that number doesn’t really matter much.

No, this isn’t always the case, obviously. Just two weeks ago, the Twitter account The Truth About Nursing praised Shortz “for allowing Howard Barkin’s description of nurses as ‘Pro caregivers, for short,’ implying expertise & autonomy. This contrasts with the 2007 clue ‘I.C.U. helper’ & the 2009 clue ‘hospital attendant’.”

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If you click through to the actual article, Howard does get the lion’s share of the thanks, as he should, given that the tweet shortchanged him a bit. But you also get more backstory on how the team at The Truth About Nursing spoke out against tone-deaf cluing regarding nurses:

Both of those clues led the Truth to protest to longtime Times puzzle editor Will Shortz. We explained to him in detail why the common misconceptions of nursing that the clues reflected were damaging, in light of the global nursing shortage and the proven influence that the media has in shaping public attitudes toward the profession… Shortz never responded directly to our concerns.

Yes, the NYT crossword gets more criticism because it is the flagship. But if you’re the flagship, you’re also supposed to set the tone, and with a track record of tone-deaf entries like ILLEGAL and HOMIE, as well as clues like “Decidedly non-feminist women’s group” for HAREM or “Exasperated comment from a feminist” for MEN, criticism is well-deserved.

The line between tooting your own horn and overplaying your hand is a very fine one, and undoubtedly, people are bound to disagree on which side of the fence this statement lands.

Some may say that Will deserves all the accolades and horn-tooting he wishes, given the subscriber numbers the NYT crossword garners. Others may take umbrage at Will seemingly dismissing the terrific work done by crossword editors around the country (with fewer resources, it must be said). I mean, Will himself mentored some of those editors!

I can’t speak for any of those editors, and I won’t. But, for me, as someone who has had the pleasure and privilege of meeting and getting to know so many of those creative, qualified, hardworking, and giving editors, methinks he doth toot a bit too much.


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We’re Not the Only Ones With Puzzles on the Brain!

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[A photo from the early days of PuzzleNation Blog, as one of our intrepid puzzleboys spreads the word of PuzzleNation far and wide. Image courtesy of Toledo’s Attic.]

I would love to tell you that PuzzleNation Blog is the only game in town when it comes to outstanding puzzle content, but that’s not the truth.

Sure, I think we put out some of the best writing in the puzzle business, but there are other outlets that also pen some marvelous stuff. Deb Amlen’s Wordplay blog on The New York Times website, for instance, is a treasure trove of great material, featuring breakdowns of NYT puzzles, interviews with constructors, and more.

The New Yorker recently posted an intriguing one-two punch of puzzle content. The main article was a meditation on crosswords — their potential, what they mean to a fan, and more — while the accompanying video featured an interview with constructor Natan Last (conducted by crossword editor Liz Maynes-Aminzade) about political entries in puzzles.

What’s slightly more surprising is that another popular Internet outlet has also had puzzles on the brain:

The Onion.

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Three times in the past month or so, the satirical news outlet has posted some hilarious puzzle-centric content. On June 20th, one of their headlines read “Exhilarated Woman Discovers Last Person Who Used Jigsaw Puzzle Left Lots Of Pieces Sticking Together.”

Two weeks earlier on June 6th, the article “Maze With Cheese In Center Enters Human Trials Following Decades Of Testing On Mice,” which feels all too apropos after our post last week about corn mazes.

But the cream of the crop was undoubtedly the article posted on May 28th, “Will Shortz Frustrated That Police Yet To Crack Taunting Puzzles Revealing Locations Of 40 Years Of Murder Victims.”

In a hysterically brief send-up of both the famously mild-mannered Shortz and classic criminal masterminds in general (like the one in the Brooklyn Nine-Nine episode that also featured Shortz, or the one from the Hallmark Crossword Mysteries earlier this year), the article paints the crossword editor as a murderous genius who feels unappreciated in his efforts to play a game of cat-and-mouse with the NYPD:

“I naturally assumed that, at some point during the last four decades, at least one detective would be smart enough to solve the case,” said Shortz, who also implied that the geographic coordinates of the victims could be determined by analyzing the sudoku puzzles in the Sunday edition.

It was one of the funniest pieces of the year for The Onion, and further proof of just how ubiquitous crosswords truly are these days.


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Delving into the 2019 ACPT Puzzles!

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One of the highlights of the puzzle year is the American Crossword Puzzle Tournament. The impressive, challenging, and well-constructed puzzles awaiting solvers there rank among the craftiest you’ll ever see.

So let’s put them under the microscope and see how I did!


Puzzle 1: And We’re Off! by Kathy Wienberg

The opening puzzle in this year’s tournament was a good smooth solve, easing solvers into the tournament experience. The theme of the word BATON being “passed” over a black square between longer entries was clever and accessible, easily cracked by tournament-puzzle standards, and the related phrases like FINISH LINE really sold the theme well.

Interesting grid entries included KOMBAT, ZAGAT, MAORI and AMOCO, and my favorite clues were “15 things in this puzzle” for ROWS and “Necessity for a farm team” for YOKE.

Puzzle 2: Following Orders by Joel Fagliano

Joel’s contribution to to the tournament was a fun reinterpretation of a song by The Doors, BREAK ON THROUGH TO THE OTHER SIDE, splitting up the theme entries so that the second part of the answer was a food. (Example: CAPRICORN becomes CAPRI CORN.) It was surprising to have two puzzles in a row that involved answers spanning black-square breaks between entries, but the revealer with The Doors added an extra touch to this one.

Interesting grid entries included UNHANDY, MY OH MY, SCHTICK, RICOH, and APOGEE, and my favorite clue was “Inspiring halftime speech, for a sports movie” for TROPE.

Puzzle 3: Added Time by Patrick Berry

The hook for Puzzle 3 was simple, but deftly executed, as the word AGE was added onto the end of established phrases like DOG POUND and CLASSIFIED AD to form new answers. But this was balanced by harder-than-expected fill, which definitely kept me guessing and ate up a great deal of the given time for solving.

Interesting grid entries included MAHLER, BIG DEAL, COLUMBO, MARS BAR, and MESMER, and my favorite clues were “Name-dropper abbr.” for ETAL and “Time or Money” for MAG.

[Image courtesy of How Stuff Works.]

Puzzle 4: It’s the Law by Jeff Stillman

My favorite puzzle from the tournament, Puzzle 4 employed a brilliantly visual gimmick where two circles represented an apple and a head, with a series of I’s (and one V) forming an arrow between them. With themed entries ISAAC NEWTON, ROBERT HOOKE, and GRAVITATION, you’ve got all the ingredients for a science-themed puzzle with a very fun twist.

Interesting grid entries included GO BAG, PC GAME, TUBULAR, and ARTOO, and my favorite clue was “One who gets asked a lot of questions” for SIRI.

Puzzle 5: Trade Names by Evan Birnholz

Puzzle 5 is infamously the most difficult of the tournament, and this year’s entry was no exception.

I figured out the gimmick pretty quick — themed entries in the same row would swap words that were also names, so the answers LANDMARK and GRANTING were actually LAND GRANT and MARKING — but the tough cluing and crafty fill entries made this a challenging solve. It was definitely the puzzle I struggled with the most. Puzzle 5, you’ve done it again.

Interesting grid entries included SPEEDO, ORVILLE, OFF NIGHT, and NOOGIE, and my favorite clue was “1986 #1 hit ‘On My Own,’ e.g., ironically” for DUET.

Puzzle 6: Playing the Field by Lynn Lempel

The first day of tournament puzzles wrapped up with this smooth, well-constructed closer loaded with delightful football puns. It was the perfect palate cleanser after the battle I had with Puzzle 5, and Lempel once again displayed her impressive skill mixing interesting fill words and balanced grid work to create puzzles with terrific flow. Blazing through this puzzle was a nice confidence boost after some tough earlier puzzles.

Interesting grid entries included CITIZENRY, ARAL SEA, MULAN, and DAUPHIN, and my favorite clues were “Adams who got the picture” for ANSEL and “Helpful feature of a crossword solver’s pencil?” for EXTRA POINT.

Puzzle 7: Politically Correct by Mike Shenk

Day Two of the tournament kicked off with this diabolical entry where the letters PC were added to established phrases to form new entries. (For example, LOW RANKING became PLOW CRANKING, which was clued as “Starting up a farm machine by hand?”)

The theme entries made sense, but weren’t immediately intuitive, so I found them tough to come up with, even though I cottoned onto the hook pretty quickly. Combine that with creative fill entries and you’ve got a well-constructed obstacle before the tournament’s final puzzle. Devious Mr. Shenk strikes again.

Interesting grid entries included ASADA, SCHIRRA, KIM NOVAK, CAT LADY, and MONADS, and my favorite clues were “Dial in your home, perhaps,” for SOAP, “Welcoming sign” for OPEN ARMS, “They’re just over two feet” for ANKLES, and “Volume setting?” for SHELF.

Puzzle 8: Troublemaker by Robyn Weintraub

The finals puzzle for the tournament boasts a different set of clues for each of the three divisions — A, B, and C — where the competitors solve the puzzle live on stage, and Weintraub constructed a puzzle with loads of intriguing entries and personality to spare. When the puzzle both apologizes to you (2 Down was I AM SO SORRY) and checks up on you while you’re solving (50 Across: HOW DID IT GO), you’re in for a unique puzzling experience.

Confession: I attempted the A-level clues, but I struggled with some of them. I did successfully solve the puzzle with a mix of A- and B-level clues.

Interesting grid entries included CHANDELIERS, ICAHN, IT GIRL, and IN RETROSPECT, and the B-clues were undoubtedly my favorite, boasting gems like “Joins a union?” for WEDS, “Darn it!” for HOLE, and “One with a talent for hitting low pitches” for BASS.


Overall, I think this year’s tournament puzzles were not as consistently hard as in previous years, though a lot of individual fill entries were fairly obscure. I did get stuck on several puzzles, frequently outwitted by cleverly misleading clues or my own inability to come up with what would later feel like obvious answers. But, as always, I relish the challenge of trying my hand at these puzzles, even if it’s not under tournament conditions.

The ingenious and creative constructors once again brought their A-game to the table with this year’s puzzles, and I never cease to be amazed at how fast and how clever so many of my fellow puzzle solvers are, blasting through these crosswords at unbelievable speeds.

ACPT, I’ll see you next year.


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